舞动新现实战争中的美女与野兽

Joanna Szymajda, Anton Ovchinnikov
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摘要

本文以当代舞蹈艺术家安东-奥夫钦尼科夫(Anton Ovchinnikov)的视角,记录了乌克兰持续战争的经历。他几乎是在 "新生状态 "中被捕捉到的,他的道德困境和艰难抉择--个人的和艺术的--构成了一种战争日记,记录了历史的瞬间。作者还提出了关于艺术责任的重要问题,这些问题的现实意义在持续的冲突中愈发强烈。Joanna Szymajda 的导言对艺术现象和回应战争状态的态度提供了一个历史全景。作者重点介绍了 20 世纪和 21 世纪的艺术家,展示了玛莎-格拉汉姆、何塞-利蒙、约翰-克兰科和拉米-贝尔等重要人物作品中的各种形式和美学。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dancing the New Realities: The Beauty and a Beast of the War
This essay is a record of the experience of the ongoing war in Ukraine, presented from the perspective of the contemporary dance artist Anton Ovchinnikov. Captured almost in statu nascendi, his moral dilemmas and difficult choices—personal and artistic—constitute a kind of a war diary, a record of a moment in history. The author also asks important questions about artistic responsibility, whose relevance resounds ever more strongly in the face of the continuing conflict. Joanna Szymajda’s introduction offers a historical panorama of artistic phenomena and attitudes in response to the state of war. The author focuses on 20th- and 21st-century artists, showing the variety of formats and aesthetics in the works of such major figures as Martha Graham, José Limón, John Cranko, and Rami Be’er, among others.
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