雷菲克-哈利德-卡拉伊作品中的集体记忆前沿

Hazal Bozyer
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摘要

本文旨在说明奥斯曼帝国在最后时期经历的历史转折点所造成的经济、政治、社会和文化创伤决定了奥斯曼帝国晚期和共和国早期作家的记忆。文章重点介绍了生活在 1888 年至 1965 年间的流亡作家雷菲克-哈利德-卡拉伊作品中的集体记忆。他的记忆是在创伤、流亡、战争、经济和文化变革中建立起来的,这些都形成了他持不同政见的立场。他在小说和文章中主要利用自己的记忆来表明自己的立场。他的见证为构建时代记忆提供了一个框架。雷菲克-哈利德即使在爱情和冒险小说中,也不断提及历史变革的关键时刻。作者所见证的历史事件充斥着小说叙事。这些事件揭示了战争、疾病、人口迁移、经济差距导致的新社会阶层的出现以及社会文化变革。本文的研究问题是雷菲克-哈利德-卡拉伊小说的主要来源是什么。从他所有的小说和非小说作品中可以看出,他的文学作品最重要的来源是记忆。然而,这种记忆并非来自个人,而是来自集体。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Frontiers of Collective Memory in Works of Refik Halid Karay
The aim of this article is to show that the economic, political, social and cultural traumas created by the historical turning points that the Ottoman Empire witnessed in the last period determined the memories of late Ottoman and early Republican writers. The article focuses on collective memory in the works of exiled author Refik Halid Karay who lived between 1888 and 1965. His memory was built with traumas, exiles, wars, economic and cultural transformations which form his dissident stance. He primarily uses his memory to show his stance in his novels and articles. His witness provides a framework to construct a memory of the era. Refik Halid, even in romance and adventure novels, persistently makes reference to critical moments of the historical change. The historic events witnessed by the author pervade the fictional narrative. These events shed light on wars, illnesses, shifts in population, the emergence of new social classes due to economic disparities, and socio-cultural transformations. The research question of this article is what the main source of Refik Halid Karay's novels is. In all his works of fiction and non-fiction, it is seen that the most important source of his literature is memory. This memory, however, is drawn not within individual but within collective boundaries.
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