狂欢的期待:大众文化语境中的中国九十年代 "狂欢化 "写作

Bojin Zhang
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引用次数: 0

摘要

进入20世纪90年代以来,在蓬勃发展的市场经济的推动下,大众文化的兴起使中国文学出现了明显的转型轨迹。大众文化催生了文学作品价值判断和权威界定的裂变,这种变化既顺应了市场的刺激,也符合特定历史条件下大众对狂欢的期待。本文回望社会背景,以巴赫金的狂欢理论为指导,在大众文化语境中阐释九十年代的文学现象与写作,指出价值颠覆与权威解构是这一时期 "狂欢化 "写作的突出特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Expectation of Carnival: The “Carnivalised” Writing of China’s 1990s in the Context of Mass Culture
Since the advent of the 1990s, the ascendancy of mass culture, buoyed by the burgeoning market economy, has engendered a discernible transformative trajectory in Chinese literature. Mass culture has given rise to a fissure in the value judgment and authoritative definition of literary works, a change that not only responds to the stimulus of the market, but also conforms to the expectation of the masses for revelry under specific historical conditions. This paper looks back at the social background, takes Bakhtin’s theory of carnival as a guide, and explains the literary phenomenon and writings of the 1990s in the context of mass culture, pointing out that the subversion of value and the deconstruction of authority are the prominent features of “carnivalized” writing in this period.
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