{"title":"狂欢的期待:大众文化语境中的中国九十年代 \"狂欢化 \"写作","authors":"Bojin Zhang","doi":"10.22158/assc.v6n2p100","DOIUrl":null,"url":null,"abstract":"Since the advent of the 1990s, the ascendancy of mass culture, buoyed by the burgeoning market economy, has engendered a discernible transformative trajectory in Chinese literature. Mass culture has given rise to a fissure in the value judgment and authoritative definition of literary works, a change that not only responds to the stimulus of the market, but also conforms to the expectation of the masses for revelry under specific historical conditions. This paper looks back at the social background, takes Bakhtin’s theory of carnival as a guide, and explains the literary phenomenon and writings of the 1990s in the context of mass culture, pointing out that the subversion of value and the deconstruction of authority are the prominent features of “carnivalized” writing in this period.","PeriodicalId":93247,"journal":{"name":"Advances in social science and culture","volume":" 37","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-03-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Expectation of Carnival: The “Carnivalised” Writing of China’s 1990s in the Context of Mass Culture\",\"authors\":\"Bojin Zhang\",\"doi\":\"10.22158/assc.v6n2p100\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Since the advent of the 1990s, the ascendancy of mass culture, buoyed by the burgeoning market economy, has engendered a discernible transformative trajectory in Chinese literature. Mass culture has given rise to a fissure in the value judgment and authoritative definition of literary works, a change that not only responds to the stimulus of the market, but also conforms to the expectation of the masses for revelry under specific historical conditions. This paper looks back at the social background, takes Bakhtin’s theory of carnival as a guide, and explains the literary phenomenon and writings of the 1990s in the context of mass culture, pointing out that the subversion of value and the deconstruction of authority are the prominent features of “carnivalized” writing in this period.\",\"PeriodicalId\":93247,\"journal\":{\"name\":\"Advances in social science and culture\",\"volume\":\" 37\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-03-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Advances in social science and culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22158/assc.v6n2p100\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Advances in social science and culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22158/assc.v6n2p100","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Expectation of Carnival: The “Carnivalised” Writing of China’s 1990s in the Context of Mass Culture
Since the advent of the 1990s, the ascendancy of mass culture, buoyed by the burgeoning market economy, has engendered a discernible transformative trajectory in Chinese literature. Mass culture has given rise to a fissure in the value judgment and authoritative definition of literary works, a change that not only responds to the stimulus of the market, but also conforms to the expectation of the masses for revelry under specific historical conditions. This paper looks back at the social background, takes Bakhtin’s theory of carnival as a guide, and explains the literary phenomenon and writings of the 1990s in the context of mass culture, pointing out that the subversion of value and the deconstruction of authority are the prominent features of “carnivalized” writing in this period.