{"title":"史蒂文斯、德国和教会","authors":"Philip McGowan","doi":"10.1353/wsj.2024.a922169","DOIUrl":null,"url":null,"abstract":"<p><p>Wallace Stevens's \"Credences of Summer\" (1947), in particular section IV's articulation of \"the limits of reality,\" may be read as significantly German-influenced by connecting two distinct lines of inquiry: the poet's personal connection to Henry and Barbara Church, and his increased interest, from 1944, in genealogical researches on Pennsylvania. By 1947, Stevens's engagement with Germany had evolved from his early, romanticized identifications with a native peasantry to engage with post-WWII Germany as a concept of pure imagination.</p></p>","PeriodicalId":40622,"journal":{"name":"WALLACE STEVENS JOURNAL","volume":"1 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2024-03-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Stevens, Germany, and the Churches\",\"authors\":\"Philip McGowan\",\"doi\":\"10.1353/wsj.2024.a922169\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p>Wallace Stevens's \\\"Credences of Summer\\\" (1947), in particular section IV's articulation of \\\"the limits of reality,\\\" may be read as significantly German-influenced by connecting two distinct lines of inquiry: the poet's personal connection to Henry and Barbara Church, and his increased interest, from 1944, in genealogical researches on Pennsylvania. By 1947, Stevens's engagement with Germany had evolved from his early, romanticized identifications with a native peasantry to engage with post-WWII Germany as a concept of pure imagination.</p></p>\",\"PeriodicalId\":40622,\"journal\":{\"name\":\"WALLACE STEVENS JOURNAL\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2024-03-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"WALLACE STEVENS JOURNAL\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/wsj.2024.a922169\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"POETRY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"WALLACE STEVENS JOURNAL","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/wsj.2024.a922169","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"POETRY","Score":null,"Total":0}
引用次数: 0
摘要
华莱士-史蒂文斯（Wallace Stevens）的《夏日的信用》（1947 年），尤其是第四节对 "现实的局限 "的阐述，可以通过将两条不同的线索联系起来，解读为明显受到了德国的影响：诗人与亨利和芭芭拉-丘奇（Henry and Barbara Church）的个人联系，以及他从 1944 年开始对宾夕法尼亚家谱研究的日益浓厚的兴趣。到 1947 年，史蒂文斯与德国的关系已经从早期对当地农民的浪漫化认同发展到将二战后的德国作为一个纯粹的想象概念。
Wallace Stevens's "Credences of Summer" (1947), in particular section IV's articulation of "the limits of reality," may be read as significantly German-influenced by connecting two distinct lines of inquiry: the poet's personal connection to Henry and Barbara Church, and his increased interest, from 1944, in genealogical researches on Pennsylvania. By 1947, Stevens's engagement with Germany had evolved from his early, romanticized identifications with a native peasantry to engage with post-WWII Germany as a concept of pure imagination.
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