{"title":"\"无限卑微的事物\"：史蒂文斯与德国晚期艺术","authors":"James Dowthwaite","doi":"10.1353/wsj.2024.a922171","DOIUrl":null,"url":null,"abstract":"<p><p>In 1909, Wallace Stevens wrote letters expressing his enthusiasm for a German art exhibition primarily in the realist and impressionist traditions, though there was some symbolist representation. Although Stevens seems not to have mentioned the artworks nor the artists again, this early attraction was reflective of enduring aspects of his poetry, particularly the impressionist aspects of his style.</p></p>","PeriodicalId":40622,"journal":{"name":"WALLACE STEVENS JOURNAL","volume":"96 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2024-03-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"\\\"Infinite Humble Things\\\": Stevens and German Art of the Fin de Siècle\",\"authors\":\"James Dowthwaite\",\"doi\":\"10.1353/wsj.2024.a922171\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p>In 1909, Wallace Stevens wrote letters expressing his enthusiasm for a German art exhibition primarily in the realist and impressionist traditions, though there was some symbolist representation. Although Stevens seems not to have mentioned the artworks nor the artists again, this early attraction was reflective of enduring aspects of his poetry, particularly the impressionist aspects of his style.</p></p>\",\"PeriodicalId\":40622,\"journal\":{\"name\":\"WALLACE STEVENS JOURNAL\",\"volume\":\"96 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2024-03-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"WALLACE STEVENS JOURNAL\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/wsj.2024.a922171\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"POETRY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"WALLACE STEVENS JOURNAL","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/wsj.2024.a922171","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"POETRY","Score":null,"Total":0}
"Infinite Humble Things": Stevens and German Art of the Fin de Siècle
In 1909, Wallace Stevens wrote letters expressing his enthusiasm for a German art exhibition primarily in the realist and impressionist traditions, though there was some symbolist representation. Although Stevens seems not to have mentioned the artworks nor the artists again, this early attraction was reflective of enduring aspects of his poetry, particularly the impressionist aspects of his style.
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