史蒂文斯的 "克莱维耶的彼得-昆斯 "与单纯绕圈的乐趣

IF 0.1 0 POETRY
Christoph Irmscher
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引用次数: 0

摘要

作者将对《克莱维耶的彼得-昆斯》的批评之旅与自己三十多年前在德国完成一篇关于华莱士-史蒂文斯诗歌的论文后的学术之旅联系起来。通过对 "苏珊娜和长者 "主题的艺术处理(从阿尔布雷希特-阿尔特多尔费尔到托马斯-哈特-本顿)的探究,作者强调了史蒂文斯在多大程度上探索、创造性地回应了这个故事,然后又将自己从这个故事中长期形成的窥视暗示中抽离出来,利用这些暗示勾勒出他自己的理论,即我们应该如何阅读他的诗歌,甚至是一般的诗歌。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Stevens's "Peter Quince at the Clavier" and the Pleasures of Merely Going Round

The author links a critical journey through "Peter Quince at the Clavier" with his own academic journey since completing, over thirty years ago in Germany, a dissertation that dealt with Wallace Stevens's poetry. A foray into artistic treatments of the "Susanna and the Elders" theme (from Albrecht Altdorfer to Thomas Hart Benton) highlights the extent to which Stevens explores, creatively responds to, and then detaches himself from the long-established voyeuristic implications of the story, using them to outline his own theory as to how we should read his poem and, indeed, poetry in general.

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CiteScore
0.20
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