摩洛哥男性创作的后殖民文学中的女性（错误）代表：穆罕默德-姆拉贝特的《大镜子》中的疯女人故事

IF 0.2 3区文学 0 LITERATURE

CRITIQUE-STUDIES IN CONTEMPORARY FICTION Pub Date : 2024-03-17 DOI:10.1080/00111619.2024.2331154

Meriem Ait Bbih, Brahim Barhoun

引用次数: 0

摘要

本文通过女性主义后殖民理论视角，对穆罕默德-姆拉贝特的长篇小说《大镜子》进行了全新解读。这部长篇小说由摩洛哥男作家写于 1977 年，就在莫...

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Female (Mis)representation in Moroccan Male-Authored Postcolonial Literature: The Madwoman Trope in Mohamed Mrabet’s The Big Mirror

Through a feminist postcolonial theoretical lens, this article puts forth a new reading of Mohamed Mrabet’s novella The Big Mirror. Written by a male Moroccan writer in 1977, a short while after Mo...

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来源期刊

CRITIQUE-STUDIES IN CONTEMPORARY FICTION LITERATURE-

CiteScore

0.60

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0.00%

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期刊介绍： Since its inception in the 1950s, Critique has consistently identified the most notable novelists of our time. In the pages of Critique appeared the first authoritative discussions of Bellow and Malamud in the ''50s, Barth and Hawkes in the ''60s, Pynchon, Elkin, Vonnegut, and Coover in the ''70s; DeLillo, Atwood, Morrison, and García Márquez in the ''80s; Auster, Amy Tan, David Foster Wallace, and Nurrudin Farah in the ''90s; and Lorrie Moore and Mark Danielewski in the new century. Readers go to Critique for critical essays on new authors with emerging reputations, but the general focus of the journal is fiction after 1950 from any country. Critique is published five times a year.