{"title":":Body without Organs, Body without Image:埃内斯托-内托的《反利维坦》,《成为马蒂斯》:在绘画与建筑之间》,《杜尚被看(从另一面)》/《杜尚与(和反对)拉康》,《解构图像》第 1-3 卷","authors":"Jae Emerling","doi":"10.1086/728941","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":48130,"journal":{"name":"Critical Inquiry","volume":null,"pages":null},"PeriodicalIF":2.0000,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\":Body without Organs, Body without Image: Ernesto Neto’s Anti-Leviathan, Becoming-Matisse: Between Painting and Architecture, and Duchamp Looked At (from the Other Side) / Duchamp with (and against) Lacan, vols. 1–3 of Undoing the Image\",\"authors\":\"Jae Emerling\",\"doi\":\"10.1086/728941\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":48130,\"journal\":{\"name\":\"Critical Inquiry\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":2.0000,\"publicationDate\":\"2024-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Critical Inquiry\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1086/728941\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Inquiry","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1086/728941","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
:Body without Organs, Body without Image: Ernesto Neto’s Anti-Leviathan, Becoming-Matisse: Between Painting and Architecture, and Duchamp Looked At (from the Other Side) / Duchamp with (and against) Lacan, vols. 1–3 of Undoing the Image
期刊介绍:
Critical Inquiry has published the best critical thought in the arts and humanities since 1974. Combining a commitment to rigorous scholarship with a vital concern for dialogue and debate, the journal presents articles by eminent critics, scholars, and artists on a wide variety of issues central to contemporary criticism and culture. In CI new ideas and reconsideration of those traditional in criticism and culture are granted a voice. The wide interdisciplinary focus creates surprising juxtapositions and linkages of concepts, offering new grounds for theoretical debate. In CI, authors entertain and challenge while illuminating such issues as improvisations, the life of things, Flaubert, and early modern women"s writing.