现代戏剧研究:通过《小埃约尔夫》--易卜生,研究文学-心理-社会

Asst. Lect.: Yousif Ali Yousif Salman, Doaa Taher AL-dihaymawee, Asst.Lect : Ruaa Ali Mohsen
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引用次数: 0

摘要

小埃尔夫》是一部在非常狭窄的情节中模拟客观现实的戏剧,这使它成为比其他戏剧更经典的心理剧。由于易卜生是伟大的现代现实主义剧作家,他刻意抓住细节,通过这些细节指出作品的现实主义尺度、人物的一致性和准确的现实主义细节,从而创作出一部反映这个孩子所处的社会性质的现实主义作品。小埃约尔夫扮演着存在和离去的理由;易卜生以近距离的方式传达了一栋房子里的繁荣和悲剧。他戏剧性地、现实主义地描绘了未来家庭的计划,从那些暂时的激情中抽象出来,以清晰的形式将每个人推向现实,使现实的地位高于想象和情感。埃约夫是一系列原因造成的,其中最重要的原因是他的父母忽视了他自身的心理和社会需求,这也是埃约夫和整个家庭面临的结局的原因。归根结底,小埃约尔夫是对生活现实的心理治疗和社会模拟,这导致了剧作结尾以悲剧和社会家庭折磨为代表的一系列结果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Study of Modern Theater: Literary - Psychological - Social Through Little Eyolf Play- Henrik Ibsen
Little Eyolf is a play that simulates an objective reality in a very narrow episode, which makes it a more classic psychological play than others. This dialogue extends into three acts and takes into its aspects a model of a simple Norwegian family through which the reality lived in other families, and their way of life is transmitted, because Ibsen is the great modern realistic theater, this author deliberately catches up with the exact details through which he can point out the scale of the realism of the work, the consistency of the characters and the exact realistic details all in order to create a realistic work reflecting the social nature in which this child lives and suffers from these many social overlaps. Little Eyolf plays the reason for existence and departure; Ibsen conveys prosperity and tragedy in one house at close Times. He draws a plan for the future family dramatically and realistically that abstracts from those temporary passions and moves everyone to reality in its clear form, making the place of reality higher than imagination and emotions. That Eyolf is the result of a set of causes, the most important of which was his parents' neglect of his own psychological and social needs, and this is what caused the end that Eyolf and the whole family faced. In the end, little Eyolf is a psychological treatment and social simulation of the lived reality, which leads to a set of results at the end of the play represented by tragedy and social-family torment.
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