第二人称叙事与自我反思：第二人称叙事与自我反思：N.K. 杰米辛《破碎的大地》（2015-17）三部曲中叙事技巧在同情和认同 "他者 "方面的有效性

IF 0.2 3区文学 0 LITERATURE

CRITIQUE-STUDIES IN CONTEMPORARY FICTION Pub Date : 2024-03-04 DOI:10.1080/00111619.2024.2325371

Monika Mishra, Joe Varghese Yeldho

引用次数: 0

摘要

本文旨在消除批评者对第二人称 "你 "的陌生感和不可预测性的一致看法，进而强调第二人称 "你 "所具有的潜力。虽然...

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Second-Person Narration and Self-Reflectivity: The Effectivity of the Narrative Technique in Empathizing with and Identifying the “Other” in N.K. Jemisin’s The Broken Earth (2015-17) Trilogy

The paper aims to disabuse the critics of their consensus regarding the strangeness and unpredictability of the second-person “you” and subsequently highlight the potential that it possesses. While...

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来源期刊

CRITIQUE-STUDIES IN CONTEMPORARY FICTION LITERATURE-

CiteScore

0.60

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0.00%

发文量

期刊介绍： Since its inception in the 1950s, Critique has consistently identified the most notable novelists of our time. In the pages of Critique appeared the first authoritative discussions of Bellow and Malamud in the ''50s, Barth and Hawkes in the ''60s, Pynchon, Elkin, Vonnegut, and Coover in the ''70s; DeLillo, Atwood, Morrison, and García Márquez in the ''80s; Auster, Amy Tan, David Foster Wallace, and Nurrudin Farah in the ''90s; and Lorrie Moore and Mark Danielewski in the new century. Readers go to Critique for critical essays on new authors with emerging reputations, but the general focus of the journal is fiction after 1950 from any country. Critique is published five times a year.