后启示录指环》系列

IF 0.3 4区艺术学 0 ARCHITECTURE

ARCHITECTURAL DESIGN Pub Date : 2024-03-05 DOI:10.1002/ad.3038

Jörg H Gleiter

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引用次数: 0

摘要

20 世纪 70 年代末，莱伯布斯-伍兹开始了一项雄心勃勃的计划：描绘理查德-瓦格纳的《指环王》。柏林工业大学建筑理论教授约尔格-H-格莱特（Jörg H Gleiter）带我们穿越音乐、戏剧和视觉表达相互交错的世界，指出瓦格纳和伍兹都是启蒙运动的批判者。对瓦格纳来说，对地球的开发、贪婪和嫉妒是末日的开始。一个世纪后，伍兹延伸了这一消极神话。

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Post-Apocalypse: The ‘Ring’ Cycle

In the late 1970s, Lebbeus Woods embarked on an ambitious project: to depict Richard Wagner's The Ring Cycle. Jörg H Gleiter, Professor of Architectural Theory at the Technical University Berlin, takes us through the intersected worlds of music, drama and visual expression, suggesting that both Wagner and Woods are critics of Enlightenment. Exploitation of Earth, greed and envy are the beginning of the End, for Wagner. A century later, Woods extends this negative mythology.

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来源期刊

ARCHITECTURAL DESIGN ARCHITECTURE-

CiteScore

0.80

自引率

0.00%

发文量

127

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