{"title":"恩斯特-荣格的挪威旅行日记《米尔敦》(1943 年)中的 \"我\"、\"你 \"和 \"你","authors":"Simon Hansen","doi":"10.1515/ejss-2023-2013","DOIUrl":null,"url":null,"abstract":"In the sixth volume of <jats:italic>Min kamp</jats:italic>, Karl Ove Knausgård focuses on the European male generation that was significantly shaped by World War I. Knausgård also mentions the Lieutenant and later author Ernst Jünger (1895–1998), whose early autobiographical texts show only a perception of the self – but not a perception of the other. Based on Knausgård’s observation, this article examines to what extent a shift in perspective can be observed in Jünger’s travel literature, which was written during his time in Romsdal (Eidsbygda). This genre provides a promising subject for investigation, as writing about the other requires the physical presence of the other in direct confrontation.","PeriodicalId":40403,"journal":{"name":"European Journal of Scandinavian Studies","volume":"23 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2024-02-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Das ,Ich‘, das ,Sie‘ und das ,Du‘ in Ernst Jüngers norwegischen Reisetagebuch Myrdun (1943)\",\"authors\":\"Simon Hansen\",\"doi\":\"10.1515/ejss-2023-2013\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the sixth volume of <jats:italic>Min kamp</jats:italic>, Karl Ove Knausgård focuses on the European male generation that was significantly shaped by World War I. Knausgård also mentions the Lieutenant and later author Ernst Jünger (1895–1998), whose early autobiographical texts show only a perception of the self – but not a perception of the other. Based on Knausgård’s observation, this article examines to what extent a shift in perspective can be observed in Jünger’s travel literature, which was written during his time in Romsdal (Eidsbygda). This genre provides a promising subject for investigation, as writing about the other requires the physical presence of the other in direct confrontation.\",\"PeriodicalId\":40403,\"journal\":{\"name\":\"European Journal of Scandinavian Studies\",\"volume\":\"23 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2024-02-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"European Journal of Scandinavian Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/ejss-2023-2013\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LANGUAGE & LINGUISTICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"European Journal of Scandinavian Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/ejss-2023-2013","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
引用次数: 0
摘要
在《Min kamp》第六卷中,卡尔-奥维-克瑙斯高(Karl Ove Knausgård)重点描写了受第一次世界大战重大影响的欧洲男性一代。克瑙斯高还提到了中尉和后来的作家恩斯特-荣格(Ernst Jünger,1895-1998 年),他的早期自传体文章只展现了对自我的感知,却没有展现对他人的感知。根据克瑙斯高尔德的观察,本文研究了在荣格的旅行文学作品中可以观察到的视角转变的程度,这些作品是他在罗姆斯达尔(艾兹比格达)期间创作的。这种体裁提供了一个很有前景的研究课题,因为书写他人需要直接面对他人的实际存在。
Das ,Ich‘, das ,Sie‘ und das ,Du‘ in Ernst Jüngers norwegischen Reisetagebuch Myrdun (1943)
In the sixth volume of Min kamp, Karl Ove Knausgård focuses on the European male generation that was significantly shaped by World War I. Knausgård also mentions the Lieutenant and later author Ernst Jünger (1895–1998), whose early autobiographical texts show only a perception of the self – but not a perception of the other. Based on Knausgård’s observation, this article examines to what extent a shift in perspective can be observed in Jünger’s travel literature, which was written during his time in Romsdal (Eidsbygda). This genre provides a promising subject for investigation, as writing about the other requires the physical presence of the other in direct confrontation.