{"title":"关于生存","authors":"P. V. Bohlman","doi":"10.5406/21567417.68.1.03","DOIUrl":null,"url":null,"abstract":"\n An expansion of my 2022 Charles Seeger Lecture, “On Survival” unfolds as a set of reflections on the moment in the history of ethnomusicology that has followed intense periods of response to the COVID-19 pandemic and of racial self-reckoning worldwide. While examining common concerns and practices for ethnomusicology as a field, I do not propose a new theory or method, but rather I argue for the unity of the field rather than the separation of approaches into subdisciplines. The common ground of the present ethnomusicological moment, like that of the past to which ethnomusicologists now return, lies in a fundamental concern for ethical practice and moral purpose. Throughout the article, I draw upon case studies, many from my own ethnographic and historical work, especially from my research in and performances of music of the Shoah, to claim affinity between the fields of ethnomusicology and moral philosophy. These affinities emerge from common engagement with the moral dimensions of survival: trauma, mourning, border crossing, goodness, cohabitation with others in the Anthropocene, transcendence.\n The video clips are available here: https://files.press.uillinois.edu/journals/supplemental/ethno/seeger_lecture/","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":null,"pages":null},"PeriodicalIF":0.6000,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"On Survival\",\"authors\":\"P. V. Bohlman\",\"doi\":\"10.5406/21567417.68.1.03\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n An expansion of my 2022 Charles Seeger Lecture, “On Survival” unfolds as a set of reflections on the moment in the history of ethnomusicology that has followed intense periods of response to the COVID-19 pandemic and of racial self-reckoning worldwide. While examining common concerns and practices for ethnomusicology as a field, I do not propose a new theory or method, but rather I argue for the unity of the field rather than the separation of approaches into subdisciplines. The common ground of the present ethnomusicological moment, like that of the past to which ethnomusicologists now return, lies in a fundamental concern for ethical practice and moral purpose. Throughout the article, I draw upon case studies, many from my own ethnographic and historical work, especially from my research in and performances of music of the Shoah, to claim affinity between the fields of ethnomusicology and moral philosophy. These affinities emerge from common engagement with the moral dimensions of survival: trauma, mourning, border crossing, goodness, cohabitation with others in the Anthropocene, transcendence.\\n The video clips are available here: https://files.press.uillinois.edu/journals/supplemental/ethno/seeger_lecture/\",\"PeriodicalId\":51751,\"journal\":{\"name\":\"ETHNOMUSICOLOGY\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2024-02-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ETHNOMUSICOLOGY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5406/21567417.68.1.03\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ETHNOMUSICOLOGY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5406/21567417.68.1.03","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
An expansion of my 2022 Charles Seeger Lecture, “On Survival” unfolds as a set of reflections on the moment in the history of ethnomusicology that has followed intense periods of response to the COVID-19 pandemic and of racial self-reckoning worldwide. While examining common concerns and practices for ethnomusicology as a field, I do not propose a new theory or method, but rather I argue for the unity of the field rather than the separation of approaches into subdisciplines. The common ground of the present ethnomusicological moment, like that of the past to which ethnomusicologists now return, lies in a fundamental concern for ethical practice and moral purpose. Throughout the article, I draw upon case studies, many from my own ethnographic and historical work, especially from my research in and performances of music of the Shoah, to claim affinity between the fields of ethnomusicology and moral philosophy. These affinities emerge from common engagement with the moral dimensions of survival: trauma, mourning, border crossing, goodness, cohabitation with others in the Anthropocene, transcendence.
The video clips are available here: https://files.press.uillinois.edu/journals/supplemental/ethno/seeger_lecture/
期刊介绍:
As the official journal of the Society for Ethnomusicology, Ethnomusicology is the premier publication in the field. Its scholarly articles represent current theoretical perspectives and research in ethnomusicology and related fields, while playing a central role in expanding the discipline in the United States and abroad. Aimed at a diverse audience of musicologists, anthropologists, folklorists, cultural studies scholars, musicians, and others, this inclusive journal also features book, recording, film, video, and multimedia reviews. Peer-reviewed by the Society’s international membership, Ethnomusicology has been published three times a year since the 1950s.