宝莱坞电影中的性别政治和陈规定型观念 Dhrishyam 1 和 2

IF 0.1 0 LITERARY THEORY & CRITICISM
Dr. Sandhya Tiwari
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引用次数: 0

摘要

印度电影是通过剧本媒介解决各种社会问题的最具影响力和最有力的工具之一。印度电影业(俗称宝莱坞)是世界上最大、最多产的电影业之一(Pillania 115)。本文旨在通过深入分析流行电影《德里希亚姆 1》和《德里希亚姆 2》(以下简称《德里希亚姆》系列电影),探讨宝莱坞电影中普遍存在的性别角色和陈规定型观念。通过研究主角的形象,本研究旨在揭示印度电影如何延续社会规范和偏见。通过结合定性内容分析和观众接受分析,本研究提供了实证证据,以支持印度电影(包括 "Dhrishyam "系列电影)助长了性别刻板印象的传播,巩固了不合理的社会期望这一主张。本研究以性别、身份和文化的交叉性为重点,旨在提供对印度电影与社会建构之间复杂关系的全面理解,从而对电影业需要更多样化和更具包容性的形象提出重要见解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Gender Politics and Stereotypes in Bollywood Films Dhrishyam 1 and  2
Indian cinema is one of the most influential and powerful tools for addressing various social issues via the medium of a screenplay. The Indian film industry, commonly known as Bollywood, is one of the largest and most prolific film industries (Pillania 115) in the world. This article aims to explore Gender Roles and Stereotypes prevalent in Bollywood films, through an in-depth analysis of the popular films Dhrishyam 1 and 2, hereafter referred to as the Dhrishyam film series. By examining the portrayal of lead characters, the study aims to shed light on the ways in which Indian cinema perpetuates societal norms and biases. Through a combination of qualitative content analysis and audience reception analysis, the research provides empirical evidence to support the claim that Indian films, including the “Dhrishyam” film series, contribute to the diffusion of gender stereotyping, consolidating unreasonable societal expectations. With a focus on the intersectionality of gender, identity, and culture, this study aims to provide a comprehensive understanding of the complex relationships between Indian cinema and societal constructs, leading to critical insights into theneed for more diverse and inclusive portrayals in the film industry.
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Literary Voice
Literary Voice LITERARY THEORY & CRITICISM-
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