{"title":"\"'凡事总有第一次',埃莉诺告诉自己\":山庄闹鬼》中的延迟青春期和家长化","authors":"Michael T. Wilson","doi":"10.1353/saf.2022.a920139","DOIUrl":null,"url":null,"abstract":"<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span>\n<p> <ul> <li><!-- html_title --> “‘There has to be a first time for everything,’ Eleanor told herself”: <span>Delayed Adolescence and Parentification in <em>The Haunting of Hill House</em></span> <!-- /html_title --></li> <li> Michael T. Wilson (bio) </li> </ul> <p><strong>I</strong>n Shirley Jackson’s 1959 novel <em>The Haunting of Hill House,</em> of the three house guests Dr. Montague summons to take part in his “haunted house” experiment, Eleanor behaves most erratically, her emotions swinging from one extreme to another as she desperately seeks the one thing she cannot find—an autonomous adulthood in a place where she belongs—until her personality disintegrates into the House.<sup>1</sup> Eleanor’s behavior becomes much more understandable, however, when viewed as that of a young woman struggling through the delayed and parentified adolescence imposed upon her by a needy, domineering mother, a struggle continued and exacerbated by the matriarchal persona presented by Hugh Crain’s seemingly patriarchal creation, Hill House itself.</p> <p>Nancy D. Chase’s “Parentification: An Overview of Theory, Research, and Societal Issues” usefully surveys current theory on parentification. In Chase’s words, “parentification [entails] a functional and/or emotional role reversal in which the child sacrifices his or her own needs for attention, comfort, and guidance in order to accommodate and care for logistic and emotional needs of the parent[,] [and] the parentified child may learn in this process that her needs are of less importance than those of others, or may actually become depleted of energy and time for pursuing school, friendships, childhood activities, and, at later stages, exploration of career and relationship possibilities.”<sup>2</sup> Although Eleanor can barely imagine an adult life, her attempt to reach it begins with her acceptance of Dr. Montague’s invitation to join his group: “During the whole underside of her life, ever since her first memory, Eleanor had been waiting for something like Hill <strong>[End Page 223]</strong> House” (4). Eleanor’s long hope for a positive change in her life reflects the trauma that has been inflicted upon her, the “dire and tragic consequences” that Peter K. Smith links to parentification.<sup>3</sup></p> <p><em>The Haunting of Hill House</em> is intensely concerned with parenting, although publishers often gloss over the fact. As the back cover of the first Penguin Classics edition informs the reader, “Four seekers have arrived at the rambling old pile known as Hill House: Dr. Montague, an occult scholar looking for solid evidence of psychic phenomena; Theodora, his lovely and lighthearted assistant; Luke, the adventurous future inheritor of the estate; and Eleanor, a friendless, fragile young woman with a dark past.”<sup>4</sup> Eleanor’s “dark past” is simply her traumatized, parentified caring for her mother and a past report of poltergeist activity at their house, a phenomenon long associated with troubled adolescents. As Dr. Montague’s invited group of houseguests settles in, they form an informal family, foiling the history of Hugh Crain’s abusive parenting in the House. Apparently supernatural events begin to trouble their nights as Eleanor attempts to establish an adult identity for herself for the first time and her sanity unravels, while the House itself increasingly takes on the attributes of both Hugh Crain and an alternately nurturing and punitive maternality that evokes Eleanor’s memory of her mother.</p> <p>Jackson’s depiction of Eleanor’s mother seems to reflect her view of her own mother Geraldine as well as 1950s scholarship on adolescent psychology. Joan Wylie Hall argues that Jackson fell from “a tolerable childhood into a pathological adolescence,” that her “mother determined the floor plan of her daughter’s self,” and that “Jackson’s compulsions were constructed on that design.”<sup>5</sup> Karl C. Garrison, in his 1951 <em>Psychology of Adolescence</em>, notes that parental troubles rank “first among a list of symptoms” that “may take the extreme form of a sharp, emotional rejection of the child by a parent or both parents.”<sup>6</sup> Eleanor’s own mother-dominated psychology is further framed by Garrison’s observation that “aggressive behavior and instability are related to an early life dominated by authoritarian control. When the father or mother was the dominating (authoritarian) force in the home, the children obeyed, but their lives were filled with tension and frustration.”<sup>7</sup> Eleanor exhibits both aggressiveness (Laura Miller terms “one of her chief traits . . . a kind of...</p> </p>","PeriodicalId":42494,"journal":{"name":"STUDIES IN AMERICAN FICTION","volume":"110 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2024-02-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"\\\"'There has to be a first time for everything,' Eleanor told herself\\\": Delayed Adolescence and Parentification in The Haunting of Hill House\",\"authors\":\"Michael T. 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Wilson (bio) </li> </ul> <p><strong>I</strong>n Shirley Jackson’s 1959 novel <em>The Haunting of Hill House,</em> of the three house guests Dr. Montague summons to take part in his “haunted house” experiment, Eleanor behaves most erratically, her emotions swinging from one extreme to another as she desperately seeks the one thing she cannot find—an autonomous adulthood in a place where she belongs—until her personality disintegrates into the House.<sup>1</sup> Eleanor’s behavior becomes much more understandable, however, when viewed as that of a young woman struggling through the delayed and parentified adolescence imposed upon her by a needy, domineering mother, a struggle continued and exacerbated by the matriarchal persona presented by Hugh Crain’s seemingly patriarchal creation, Hill House itself.</p> <p>Nancy D. Chase’s “Parentification: An Overview of Theory, Research, and Societal Issues” usefully surveys current theory on parentification. In Chase’s words, “parentification [entails] a functional and/or emotional role reversal in which the child sacrifices his or her own needs for attention, comfort, and guidance in order to accommodate and care for logistic and emotional needs of the parent[,] [and] the parentified child may learn in this process that her needs are of less importance than those of others, or may actually become depleted of energy and time for pursuing school, friendships, childhood activities, and, at later stages, exploration of career and relationship possibilities.”<sup>2</sup> Although Eleanor can barely imagine an adult life, her attempt to reach it begins with her acceptance of Dr. Montague’s invitation to join his group: “During the whole underside of her life, ever since her first memory, Eleanor had been waiting for something like Hill <strong>[End Page 223]</strong> House” (4). Eleanor’s long hope for a positive change in her life reflects the trauma that has been inflicted upon her, the “dire and tragic consequences” that Peter K. Smith links to parentification.<sup>3</sup></p> <p><em>The Haunting of Hill House</em> is intensely concerned with parenting, although publishers often gloss over the fact. As the back cover of the first Penguin Classics edition informs the reader, “Four seekers have arrived at the rambling old pile known as Hill House: Dr. Montague, an occult scholar looking for solid evidence of psychic phenomena; Theodora, his lovely and lighthearted assistant; Luke, the adventurous future inheritor of the estate; and Eleanor, a friendless, fragile young woman with a dark past.”<sup>4</sup> Eleanor’s “dark past” is simply her traumatized, parentified caring for her mother and a past report of poltergeist activity at their house, a phenomenon long associated with troubled adolescents. As Dr. Montague’s invited group of houseguests settles in, they form an informal family, foiling the history of Hugh Crain’s abusive parenting in the House. Apparently supernatural events begin to trouble their nights as Eleanor attempts to establish an adult identity for herself for the first time and her sanity unravels, while the House itself increasingly takes on the attributes of both Hugh Crain and an alternately nurturing and punitive maternality that evokes Eleanor’s memory of her mother.</p> <p>Jackson’s depiction of Eleanor’s mother seems to reflect her view of her own mother Geraldine as well as 1950s scholarship on adolescent psychology. Joan Wylie Hall argues that Jackson fell from “a tolerable childhood into a pathological adolescence,” that her “mother determined the floor plan of her daughter’s self,” and that “Jackson’s compulsions were constructed on that design.”<sup>5</sup> Karl C. Garrison, in his 1951 <em>Psychology of Adolescence</em>, notes that parental troubles rank “first among a list of symptoms” that “may take the extreme form of a sharp, emotional rejection of the child by a parent or both parents.”<sup>6</sup> Eleanor’s own mother-dominated psychology is further framed by Garrison’s observation that “aggressive behavior and instability are related to an early life dominated by authoritarian control. When the father or mother was the dominating (authoritarian) force in the home, the children obeyed, but their lives were filled with tension and frustration.”<sup>7</sup> Eleanor exhibits both aggressiveness (Laura Miller terms “one of her chief traits . . . a kind of...</p> </p>\",\"PeriodicalId\":42494,\"journal\":{\"name\":\"STUDIES IN AMERICAN FICTION\",\"volume\":\"110 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2024-02-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"STUDIES IN AMERICAN FICTION\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/saf.2022.a920139\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, AMERICAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"STUDIES IN AMERICAN FICTION","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/saf.2022.a920139","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, AMERICAN","Score":null,"Total":0}
引用次数: 0
摘要
以下是内容的简要摘录,以代替摘要: "'凡事都有第一次,'埃莉诺告诉自己":在雪莉-杰克逊(Shirley Jackson)1959 年出版的小说《山庄闹鬼》(The Haunting of Hill House)中,在蒙塔古博士召集来参加他的 "鬼屋 "实验的三位客人中,埃莉诺的行为最为古怪,她的情绪从一个极端摇摆到另一个极端,她拼命寻找一种她无法找到的东西--在一个属于她的地方自主地长大成人--直到她的人格解体,融入山庄1。然而,如果把埃莉诺的行为看作是一个年轻女性在需要帮助、专横跋扈的母亲强加给她的延迟的、家长化的青春期中挣扎的行为,那么她的行为就变得更容易理解了。南希-D-切斯(Nancy D. Chase)的《父母化》(Parentification:理论、研究和社会问题概述》对当前的家长化理论进行了有益的梳理。用切斯的话说,"父母化[意味着]一种功能和/或情感角色的转换,在这种转换中,孩子牺牲自己对关注、舒适和指导的需求,以满足和照顾父母的后勤和情感需求[,][而且]被父母化的孩子可能在这一过程中了解到,她的需求不如其他人的需求重要,或者可能实际上耗尽精力和时间去追求学业、友谊、童年活动,以及在后期阶段探索职业和关系的可能性。"2尽管埃莉诺几乎无法想象自己的成年生活,但她试图实现成年生活的努力始于她接受蒙塔古博士的邀请加入他的小组:"在她生命的整个低谷,从她的第一段记忆开始,埃莉诺就一直在等待像希尔 [尾页 223] 之家这样的地方"(4)。埃莉诺长久以来一直希望自己的生活能发生积极的变化,这反映了她所遭受的创伤,也就是彼得-K-史密斯(Peter K. Smith)所说的 "可怕而悲惨的后果"。企鹅经典》第一版的封底告诉读者:"四个寻访者来到了被称为希尔庄园的破败老宅:蒙塔古博士是一位神秘学学者,正在寻找灵异现象的确凿证据;狄奥多拉是他可爱而轻松的助手;卢克是富有冒险精神的庄园未来继承人;埃莉诺是一位没有朋友、脆弱而有着黑暗过去的年轻女子。"4 埃莉诺的 "黑暗过去 "仅仅是她在照顾母亲的过程中受到的精神创伤和被父母管教的经历,以及过去关于他们家出现鬼怪活动的报告,这种现象长期以来与问题青少年有关。随着蒙塔歌博士邀请的这群房客逐渐安顿下来,他们组成了一个非正式的家庭,打破了休-克莱恩(Hugh Crain)在家中虐待子女的历史。当埃莉诺第一次尝试为自己确立成人身份时,她的理智开始崩溃,而这所房子本身也越来越具有休-克莱恩的属性,以及一种唤起埃莉诺对母亲记忆的交替滋养和惩罚的母性。杰克逊对埃莉诺母亲的描写似乎反映了她对自己母亲杰拉尔丁的看法,以及 20 世纪 50 年代有关青少年心理学的学术研究。琼-怀利-霍尔(Joan Wylie Hall)认为,杰克逊从 "可容忍的童年跌入了病态的青春期",她的 "母亲决定了女儿自我的平面图","杰克逊的强迫症就是在这一设计基础上构建的 "5 卡尔-C.加里森在 1951 年出版的《青少年心理学》一书中指出,父母的烦恼 "在一系列症状中排名第一","其极端表现形式可能是父母一方或双方对孩子尖锐的情感排斥"。当父亲或母亲是家中的主宰(专制)力量时,孩子们会服从,但他们的生活充满了紧张和挫败感。
"'There has to be a first time for everything,' Eleanor told herself": Delayed Adolescence and Parentification in The Haunting of Hill House
In lieu of an abstract, here is a brief excerpt of the content:
“‘There has to be a first time for everything,’ Eleanor told herself”: Delayed Adolescence and Parentification in The Haunting of Hill House
Michael T. Wilson (bio)
In Shirley Jackson’s 1959 novel The Haunting of Hill House, of the three house guests Dr. Montague summons to take part in his “haunted house” experiment, Eleanor behaves most erratically, her emotions swinging from one extreme to another as she desperately seeks the one thing she cannot find—an autonomous adulthood in a place where she belongs—until her personality disintegrates into the House.1 Eleanor’s behavior becomes much more understandable, however, when viewed as that of a young woman struggling through the delayed and parentified adolescence imposed upon her by a needy, domineering mother, a struggle continued and exacerbated by the matriarchal persona presented by Hugh Crain’s seemingly patriarchal creation, Hill House itself.
Nancy D. Chase’s “Parentification: An Overview of Theory, Research, and Societal Issues” usefully surveys current theory on parentification. In Chase’s words, “parentification [entails] a functional and/or emotional role reversal in which the child sacrifices his or her own needs for attention, comfort, and guidance in order to accommodate and care for logistic and emotional needs of the parent[,] [and] the parentified child may learn in this process that her needs are of less importance than those of others, or may actually become depleted of energy and time for pursuing school, friendships, childhood activities, and, at later stages, exploration of career and relationship possibilities.”2 Although Eleanor can barely imagine an adult life, her attempt to reach it begins with her acceptance of Dr. Montague’s invitation to join his group: “During the whole underside of her life, ever since her first memory, Eleanor had been waiting for something like Hill [End Page 223] House” (4). Eleanor’s long hope for a positive change in her life reflects the trauma that has been inflicted upon her, the “dire and tragic consequences” that Peter K. Smith links to parentification.3
The Haunting of Hill House is intensely concerned with parenting, although publishers often gloss over the fact. As the back cover of the first Penguin Classics edition informs the reader, “Four seekers have arrived at the rambling old pile known as Hill House: Dr. Montague, an occult scholar looking for solid evidence of psychic phenomena; Theodora, his lovely and lighthearted assistant; Luke, the adventurous future inheritor of the estate; and Eleanor, a friendless, fragile young woman with a dark past.”4 Eleanor’s “dark past” is simply her traumatized, parentified caring for her mother and a past report of poltergeist activity at their house, a phenomenon long associated with troubled adolescents. As Dr. Montague’s invited group of houseguests settles in, they form an informal family, foiling the history of Hugh Crain’s abusive parenting in the House. Apparently supernatural events begin to trouble their nights as Eleanor attempts to establish an adult identity for herself for the first time and her sanity unravels, while the House itself increasingly takes on the attributes of both Hugh Crain and an alternately nurturing and punitive maternality that evokes Eleanor’s memory of her mother.
Jackson’s depiction of Eleanor’s mother seems to reflect her view of her own mother Geraldine as well as 1950s scholarship on adolescent psychology. Joan Wylie Hall argues that Jackson fell from “a tolerable childhood into a pathological adolescence,” that her “mother determined the floor plan of her daughter’s self,” and that “Jackson’s compulsions were constructed on that design.”5 Karl C. Garrison, in his 1951 Psychology of Adolescence, notes that parental troubles rank “first among a list of symptoms” that “may take the extreme form of a sharp, emotional rejection of the child by a parent or both parents.”6 Eleanor’s own mother-dominated psychology is further framed by Garrison’s observation that “aggressive behavior and instability are related to an early life dominated by authoritarian control. When the father or mother was the dominating (authoritarian) force in the home, the children obeyed, but their lives were filled with tension and frustration.”7 Eleanor exhibits both aggressiveness (Laura Miller terms “one of her chief traits . . . a kind of...
期刊介绍:
Studies in American Fiction suspended publication in the fall of 2008. In the future, however, Fordham University and the Graduate Center of the City University of New York will jointly edit and publish SAF after a short hiatus; further information and updates will be available from time to time through the web site of Northeastern’s Department of English. SAF thanks the College of Arts and Sciences at Northeastern University for over three decades of support. Studies in American Fiction is a journal of articles and reviews on the prose fiction of the United States, in its full historical range from the colonial period to the present.