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Notes on Contributors
Justin Chandler is a Marion L. Brittain Postdoctoral Fellow at Georgia Institute of Technology, specializing in American literature from the late nineteenth century to the present. His current research explores the intersections of American pragmatism, the Black radical tradition, and Black speculative fiction. He is the 2023 winner of the Arthur O. Lewis Award from the Society for Utopian Studies. His creative work has appeared in Epiphany and Hobart.
Jonathan A. Cook is the author of Satirical Apocalypse: An Anatomy of Melville’s “The Confidence Man” (1996), Inscrutable Malice: Theodicy, Eschatology, and the Biblical Sources of “Moby-Dick” (2012), and Neither Believer nor Infidel: Skepticism and Faith in Melville’s Shorter Fiction and Poetry (2023); he is co-editor of Visionary of the Word: Melville and Religion (2017). He has published widely on Irving, Hawthorne, Poe, Melville, and other nineteenth-century American writers. His annotated bibliography on the Bible and American literature is available at Oxford Bibliographies Online.
Aaron Shaheen is the George C. Connor Professor of American Literature at the University of Tennessee at Chattanooga, where he teaches courses in modernism. His most recent essays have appeared in PMLA, Modernism/modernity, Modern Fiction Studies, and Arizona Quarterly. His most recent monograph is titled Great War Prostheses in American Literature and Culture (Oxford University Press, 2020). At present he is at work on a manuscript that examines how Great War mapping innovations influenced American literature of the 1920s and ‘30s.
Preston Taylor Stone (he/they) is Associate Director of Native American Studies at the Center for Comparative Studies in Race & Ethnicity at Stanford University.
Eva Tettenborn is Associate Professor of English at The Pennsylvania State University, Scranton Campus. She teaches American literature, African American literature, composition, and business writing classes. She serves as a consulting editor at Critique: Studies in Contemporary Fiction. Her work on contemporary African American authors has appeared in African American Review, Callaloo, Critique, MELUS, Obsidian, Short Story, Southern Literary Journal, Studies in American Culture, and Transformations. Together with Stephanie Brown, she co-edited and contributed to Engaging Tradition, Making It New: Essays on Teaching Recent African American Literature (Cambridge Scholars Publishing, 2008).
Michael T. Wilson is Associate Professor in English at Appalachian State University in Boone, North Carolina. His work has also appeared in The Edith Wharton Review, The Journal of American Culture, and Shirley Jackson: A Companion. His current projects continue his focus on gender and culture, and on Wharton and Jackson in particular.
期刊介绍：
Studies in American Fiction suspended publication in the fall of 2008. In the future, however, Fordham University and the Graduate Center of the City University of New York will jointly edit and publish SAF after a short hiatus; further information and updates will be available from time to time through the web site of Northeastern’s Department of English. SAF thanks the College of Arts and Sciences at Northeastern University for over three decades of support. Studies in American Fiction is a journal of articles and reviews on the prose fiction of the United States, in its full historical range from the colonial period to the present.
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