{"title":"湮没的历史","authors":"Timothy Yu","doi":"10.1093/alh/ajad236","DOIUrl":null,"url":null,"abstract":"The new editions of Theresa Hak Kyung Cha’s Dictée and Exilée and Temps Morts from UC Press provide an opportunity for reflection on the texts’ histories. First published in 1982, just before Cha’s tragic murder, Dictée languished in obscurity until being rediscovered by Asian American critics in the 1990s. In the last few years, Dictée has gained increasing mainstream recognition, but that recognition has often been accompanied by criticism of academic scholars, who, despite their efforts in championing Cha’s work, are now viewed as gatekeepers who have avoided grappling with the facts of Cha’s life and death. Evidence that Cha’s life and work can be brought together emerges from the work of poets influenced by her, including Myung Mi Kim and Divya Victor, while the work collected in Exilée usefully places Cha’s writing in the larger context of her work as an artist. The best scholarly readings of Cha’s work, far from denying Cha’s embodiment, close the gap between word and body, following Cha’s own call to explore history “to the very flesh and bone, to the core.”[I]t is undoubtedly gratifying to see this new discovery of Cha by mainstream readers. But it’s a shame that literary scholars, who for 30 years have been her primary champions . . . are now being portrayed as gatekeepers.","PeriodicalId":45821,"journal":{"name":"AMERICAN LITERARY HISTORY","volume":"72 1","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2024-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"History in Oblivion\",\"authors\":\"Timothy Yu\",\"doi\":\"10.1093/alh/ajad236\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The new editions of Theresa Hak Kyung Cha’s Dictée and Exilée and Temps Morts from UC Press provide an opportunity for reflection on the texts’ histories. First published in 1982, just before Cha’s tragic murder, Dictée languished in obscurity until being rediscovered by Asian American critics in the 1990s. In the last few years, Dictée has gained increasing mainstream recognition, but that recognition has often been accompanied by criticism of academic scholars, who, despite their efforts in championing Cha’s work, are now viewed as gatekeepers who have avoided grappling with the facts of Cha’s life and death. Evidence that Cha’s life and work can be brought together emerges from the work of poets influenced by her, including Myung Mi Kim and Divya Victor, while the work collected in Exilée usefully places Cha’s writing in the larger context of her work as an artist. The best scholarly readings of Cha’s work, far from denying Cha’s embodiment, close the gap between word and body, following Cha’s own call to explore history “to the very flesh and bone, to the core.”[I]t is undoubtedly gratifying to see this new discovery of Cha by mainstream readers. But it’s a shame that literary scholars, who for 30 years have been her primary champions . . . are now being portrayed as gatekeepers.\",\"PeriodicalId\":45821,\"journal\":{\"name\":\"AMERICAN LITERARY HISTORY\",\"volume\":\"72 1\",\"pages\":\"\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2024-02-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"AMERICAN LITERARY HISTORY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/alh/ajad236\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, AMERICAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"AMERICAN LITERARY HISTORY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/alh/ajad236","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, AMERICAN","Score":null,"Total":0}
The new editions of Theresa Hak Kyung Cha’s Dictée and Exilée and Temps Morts from UC Press provide an opportunity for reflection on the texts’ histories. First published in 1982, just before Cha’s tragic murder, Dictée languished in obscurity until being rediscovered by Asian American critics in the 1990s. In the last few years, Dictée has gained increasing mainstream recognition, but that recognition has often been accompanied by criticism of academic scholars, who, despite their efforts in championing Cha’s work, are now viewed as gatekeepers who have avoided grappling with the facts of Cha’s life and death. Evidence that Cha’s life and work can be brought together emerges from the work of poets influenced by her, including Myung Mi Kim and Divya Victor, while the work collected in Exilée usefully places Cha’s writing in the larger context of her work as an artist. The best scholarly readings of Cha’s work, far from denying Cha’s embodiment, close the gap between word and body, following Cha’s own call to explore history “to the very flesh and bone, to the core.”[I]t is undoubtedly gratifying to see this new discovery of Cha by mainstream readers. But it’s a shame that literary scholars, who for 30 years have been her primary champions . . . are now being portrayed as gatekeepers.
期刊介绍:
Recent Americanist scholarship has generated some of the most forceful responses to questions about literary history and theory. Yet too many of the most provocative essays have been scattered among a wide variety of narrowly focused publications. Covering the study of US literature from its origins through the present, American Literary History provides a much-needed forum for the various, often competing voices of contemporary literary inquiry. Along with an annual special issue, the journal features essay-reviews, commentaries, and critical exchanges. It welcomes articles on historical and theoretical problems as well as writers and works. Inter-disciplinary studies from related fields are also invited.