作为形式的非出版:哈特-克莱恩、杰克-斯派塞和期刊出版的门槛

IF 0.6 2区 文学 0 LITERATURE, AMERICAN
Francesca Bratton
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引用次数: 0

摘要

在任何诗人的创作生涯中,被退稿都是必然的。这篇文章探讨了退稿和未发表片段的概念如何塑造诗歌形式,实际决定如何转化为美学决定。哈特-克莱恩(Hart Crane)和杰克-斯派塞(Jack Spicer)都曾在杂志社工作过,他们的写作实验与短暂的出版文化和社区纠缠在一起。这篇文章探讨了杂志的拒绝如何通过他们对长诗分裂形式的独特尝试,为克莱恩和斯派塞的诗歌创作创造了机会。两位诗人都将实践过程转化为美学实验,探索写作、投稿、发表、接受或拒绝之间的状态。事实上,诗歌形式的核心就是实用性与审美性之间有趣的张力。克兰和斯派塞都将拒稿--未发表的诗歌或通过各种投稿等待发表的诗歌--融入了他们的作品形式中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Unpublishing as Form: Hart Crane, Jack Spicer, and the Thresholds of Periodical Publication
Rejections are a given in any poet’s career. This essay considers how rejections and the idea of the unpublished fragment might shape poetic form, how practical decisions might turn into aesthetic ones. Both Hart Crane and Jack Spicer had careers among magazines, the experiments of their writing entwined with ephemeral publishing cultures and communities. This essay explores how, through their own distinct experiments with splintered forms of the long poem, magazine rejections also created opportunities in Crane’s and Spicer’s poetry. Both poets turned practical processes into aesthetic experiments, exploring the states between writing, submission, publication, and acceptance or rejection.Yet practical decisions can turn into aesthetic ones. Indeed, the playful tension between practicality and aesthetics sits at the heart of poetic form. Crane and Spicer both incorporated rejections—unpublished poems or poems waiting on publication through various submissions—into the form of their work.
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来源期刊
AMERICAN LITERARY HISTORY
AMERICAN LITERARY HISTORY LITERATURE, AMERICAN-
CiteScore
0.70
自引率
25.00%
发文量
178
期刊介绍: Recent Americanist scholarship has generated some of the most forceful responses to questions about literary history and theory. Yet too many of the most provocative essays have been scattered among a wide variety of narrowly focused publications. Covering the study of US literature from its origins through the present, American Literary History provides a much-needed forum for the various, often competing voices of contemporary literary inquiry. Along with an annual special issue, the journal features essay-reviews, commentaries, and critical exchanges. It welcomes articles on historical and theoretical problems as well as writers and works. Inter-disciplinary studies from related fields are also invited.
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