{"title":"特里林再现","authors":"Geraldine Murphy","doi":"10.1093/alh/ajad235","DOIUrl":null,"url":null,"abstract":"This short essay considers the cultural and historical context of Lionel Trilling’s unfinished, unpublished novel in response to Michael Kalisch’s essay for this issue. Written in the 1940s, The Journey Abandoned (editor’s title) reprises Trilling’s preoccupations in The Liberal Imagination with anti-Stalinist liberalism and Cold War modernism and emphasizes the importance of American literature to Trilling at the beginning of his career as both a critic and a novelist. Trilling championed those writers—and created fictional characters—whose thinking affirmed and resisted the status quo. The dynamism of dialectical thinking that enlivened his essays also echoed the pluralist model of consensus liberalism, in which multitude conflicts were in continual negotiation. In concluding, the essay suggests that the unfinished novel, perpetually open to interpretation, is an apt tribute to Trilling’s signature mode of thought.Ambitious and having to make his way professionally (he had just become an assistant professor in 1939), Trilling saw American literature as a vehicle of upward mobility for himself, just as it was for Vincent.","PeriodicalId":45821,"journal":{"name":"AMERICAN LITERARY HISTORY","volume":"2 1","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2024-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Trilling Redux\",\"authors\":\"Geraldine Murphy\",\"doi\":\"10.1093/alh/ajad235\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This short essay considers the cultural and historical context of Lionel Trilling’s unfinished, unpublished novel in response to Michael Kalisch’s essay for this issue. Written in the 1940s, The Journey Abandoned (editor’s title) reprises Trilling’s preoccupations in The Liberal Imagination with anti-Stalinist liberalism and Cold War modernism and emphasizes the importance of American literature to Trilling at the beginning of his career as both a critic and a novelist. Trilling championed those writers—and created fictional characters—whose thinking affirmed and resisted the status quo. The dynamism of dialectical thinking that enlivened his essays also echoed the pluralist model of consensus liberalism, in which multitude conflicts were in continual negotiation. In concluding, the essay suggests that the unfinished novel, perpetually open to interpretation, is an apt tribute to Trilling’s signature mode of thought.Ambitious and having to make his way professionally (he had just become an assistant professor in 1939), Trilling saw American literature as a vehicle of upward mobility for himself, just as it was for Vincent.\",\"PeriodicalId\":45821,\"journal\":{\"name\":\"AMERICAN LITERARY HISTORY\",\"volume\":\"2 1\",\"pages\":\"\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2024-02-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"AMERICAN LITERARY HISTORY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/alh/ajad235\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, AMERICAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"AMERICAN LITERARY HISTORY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/alh/ajad235","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, AMERICAN","Score":null,"Total":0}
This short essay considers the cultural and historical context of Lionel Trilling’s unfinished, unpublished novel in response to Michael Kalisch’s essay for this issue. Written in the 1940s, The Journey Abandoned (editor’s title) reprises Trilling’s preoccupations in The Liberal Imagination with anti-Stalinist liberalism and Cold War modernism and emphasizes the importance of American literature to Trilling at the beginning of his career as both a critic and a novelist. Trilling championed those writers—and created fictional characters—whose thinking affirmed and resisted the status quo. The dynamism of dialectical thinking that enlivened his essays also echoed the pluralist model of consensus liberalism, in which multitude conflicts were in continual negotiation. In concluding, the essay suggests that the unfinished novel, perpetually open to interpretation, is an apt tribute to Trilling’s signature mode of thought.Ambitious and having to make his way professionally (he had just become an assistant professor in 1939), Trilling saw American literature as a vehicle of upward mobility for himself, just as it was for Vincent.
期刊介绍:
Recent Americanist scholarship has generated some of the most forceful responses to questions about literary history and theory. Yet too many of the most provocative essays have been scattered among a wide variety of narrowly focused publications. Covering the study of US literature from its origins through the present, American Literary History provides a much-needed forum for the various, often competing voices of contemporary literary inquiry. Along with an annual special issue, the journal features essay-reviews, commentaries, and critical exchanges. It welcomes articles on historical and theoretical problems as well as writers and works. Inter-disciplinary studies from related fields are also invited.