日惹皇宫旅游景点曼达拉萨纳病房风格的文化融合

Kaffah imanuddin MR Santosa, Frisiska Frisiska, Farrah Farrah, Sri Indrayanti, Wiranti Kusuma Hapsari
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摘要

这里还有一座文化风格截然不同的独立建筑。Bangsal Mandalasana 是一座凉亭式建筑,当时是音乐家们的聚集地。其独特之处在于,该区所使用的乐器不仅是传统的印尼音乐,而且是源自西方和中东的乐器。事实上,其中一些乐器还是现代乐器。可以看出,在印度教、佛教和伊斯兰教等传统文化之外,西方文化与印尼文化之间存在着共通之处。本研究采用定性方法,通过剖析 Bangsal Mandalasana 饰品中发现的文化熏陶,以日惹皇宫旅游景点为研究重点,制作描述性数据。Ward Mandasana 外形为八角形,八角形的支柱结构也来自欧洲一般的凉亭外形。底座做成平面,使用与支撑柱融为一体的栅栏,这与宫殿环境中的其他病房形状不同。该病房的装饰风格使用了一种不同寻常的材料,即彩色玻璃,彩色玻璃在西方的建筑文化中始于哥特式建筑,在 12 世纪被用于装饰大教堂的窗户。这些图案还采用了西方乐器,表明 Bangsal Mandalasana 中存在西方概念。关键词文化移入、班萨尔曼陀罗风格、文化班萨尔曼陀罗风格
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Akulturasi Budaya pada Corak Bangsal Mandalasana dalam Objek Wisata Keraton Yogyakarta
There is a separate building that has a contrasting cultural style. Bangsal Mandalasana is a building in the form of a gazebo which functioned as a gathering place for musicians at that time. What is unique is that the styles of musical instruments implemented in this ward are not just traditional Indonesian music, but are musical instruments originating from the West and the Middle East. In fact, some of these instruments are modern musical instruments. It can be seen that there is a common thread between Western culture which has been merged outside the traditional culture of Hinduism, Buddhism and Islam.The aim of this research is to analyze how decorative patterns in cultural acculturation occur in the Mandalasana Ward building. So that we can draw a historical thread of the fusion of western and Javanese culture which became an accentuation of culture within the Ngayogyakarta palace environment.This research uses qualitative methods by producing descriptive data with a study focus on the Yogyakarta Palace tourist attraction by dissecting the cultural acculturation found in Bangsal Mandalasana ornaments.Ward Mandasana has an octagonal shape with an octagonal pillar structure which is also taken from the shape of gazebos in Europe in general. The base is made flat and uses a fence that is integrated with supporting pillars, which is different from other ward shapes in the palace environment. The ornamental style in this ward uses an unusual material, namely stained glass, where stained glass was used in building culture in the West starting in theGothic which was used to decorate the Cathedral windows in the 12th century. The motifs presented are also Western musical instruments which indicate the existence of Western concepts in Bangsal Mandalasana. Keywords: Cultural Acculturation, Bangsal Mandalasana Styles, Cultural Bangsal Mandalasana Styles
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