波特拉贾社区的神龛绘画:描绘农业文化和仪式

Vikram Kulkarni
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引用次数: 0

摘要

印度社会由不同的种姓和亚种姓组成,这些种姓和亚种姓在古代被组织成一个整齐的体系。其中心是农民,他们提供食物,从而解决所有人的温饱问题。但在其外围还有许多游牧部落和社区,他们的生计并不完全属于农村经济的范畴。马哈拉施特拉邦游牧的波特拉贾信徒就是其中之一,他们最初来自安得拉邦。波特拉贾人拥有木制的移动神龛,神龛上装饰着各种主题的绘画,包括一些以农业为主题的绘画。这些神龛绘画从安得拉邦的卷轴画中汲取灵感。本研究论文试图从 Potraja 神龛的图画中解读农业的社会意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
SHRINE PAINTINGS OF THE POTRAJA COMMUNITY: DEPICTING AGRARIAN CULTURE AND RITUALS
The Indian society comprises of various castes and sub-castes that in the olden days had been organised into a neat system. At its centre was the farmer who supplied food and thereby took care of the sustenance of all the people. But outside its periphery lay many wandering tribes and communities whose subsistence was not quite the concern of the rural economy. One such community is that of the nomadic Potraja devotees of Maharashtra, who originally hailed from Andhra Pradesh. The Potrajas possess wooden mobile shrines decorated with paintings on various themes, including some based-on agriculture. These shrine paintings draw inspiration from the scroll paintings of Andhra Pradesh. The present research paper attempts to interpret the social relevance of agriculture as manifested in the iconography on Potraja shrines.
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