{"title":"重塑盎格鲁-撒克逊人的思维方式","authors":"Giuliano Marmora","doi":"10.1163/18756719-12340302","DOIUrl":null,"url":null,"abstract":"\nThis article identifies two frequently occurring motifs in novelistic adaptations of Beowulf that compellingly corroborate the fictional subversion of the narrative: the scop as the forger of the truth and personal profit as the catalyst for composition. Moreover, this article observes how these novels exist within a complex intertextual network, demonstrating how contemporary authors artfully recast Old English literary texts into their work and suggesting the influence of earlier retellings for the employment of either one or both motifs.","PeriodicalId":108095,"journal":{"name":"Amsterdamer Beiträge zur älteren Germanistik","volume":"15 3","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Reshaping the Anglo-Saxon Scop\",\"authors\":\"Giuliano Marmora\",\"doi\":\"10.1163/18756719-12340302\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\nThis article identifies two frequently occurring motifs in novelistic adaptations of Beowulf that compellingly corroborate the fictional subversion of the narrative: the scop as the forger of the truth and personal profit as the catalyst for composition. Moreover, this article observes how these novels exist within a complex intertextual network, demonstrating how contemporary authors artfully recast Old English literary texts into their work and suggesting the influence of earlier retellings for the employment of either one or both motifs.\",\"PeriodicalId\":108095,\"journal\":{\"name\":\"Amsterdamer Beiträge zur älteren Germanistik\",\"volume\":\"15 3\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-02-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Amsterdamer Beiträge zur älteren Germanistik\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/18756719-12340302\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Amsterdamer Beiträge zur älteren Germanistik","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/18756719-12340302","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This article identifies two frequently occurring motifs in novelistic adaptations of Beowulf that compellingly corroborate the fictional subversion of the narrative: the scop as the forger of the truth and personal profit as the catalyst for composition. Moreover, this article observes how these novels exist within a complex intertextual network, demonstrating how contemporary authors artfully recast Old English literary texts into their work and suggesting the influence of earlier retellings for the employment of either one or both motifs.
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