在边界塔蒂亚娜-雷皮纳

Q4 Arts and Humanities
I. S. Kadochnikova
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引用次数: 0

摘要

文章分析了 "三十岁一代 "杰出诗人塔蒂亚娜-雷皮娜(Tatiana Repina)创作的三部诗集的主题、意象和情节结构:《一个人写的》(Monograph.一个人写的》(Monografiya. Pishet odin chelovek)(2013 年)、《没有章节》(Bez glav)(2014 年)和《空气密度》(Plotnost vozdukha)(2018 年)。在详细研究雷皮纳诗学的情节结构和鲜明特点时,卡多奇尼科娃强调了 "边界 "概念对于理解雷皮纳诗学的重要性。这一概念通过地理身份问题、抒情女主人公的性别矛盾、"儿童/成人 "二分法以及木偶和戏剧性主题得到揭示。卡多奇尼科娃从 "本地"(伊热夫斯克)文本中选取了一些典范,作为评论家解读雷皮纳抒情诗的起点,并将其扩展到圣彼得堡诗歌、"90 年代一代 "的形象以及当代诗歌的整体问题。这项研究利用 Repina 的作品来探讨现代诗歌的界限问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
At the boundary. Tatiana Repina
The article analyzes the motifs, imagery, and plot structure of three poetic collections authored by Tatiana Repina, one of the remarkable poets of ‘the thirty-year-old generation:’ Monograph. Written by a Single Person [Monografiya. Pishet odin chelovek] (2013), Without Chapters [Bez glav] (2014), and Air Density [Plotnost vozdukha] (2018). In her detailed study of the plot structure and distinctive characteristics of Repina’s poetics, Kadochnikova emphasizes the concept of boundaries as being of principal importance for understanding Repina’s poetics. The concept is revealed through the problem of a geographical identity and the lyrical heroine’s gender ambivalence, the ‘childlike/adultlike’ dichotomy, and the motif of puppetry and theatricality. A selection exemplifying the ‘local’ (Izhevsk-based) text serves the critic as a starting point for interpretation of Repina’s lyrical poetry, which Kadochnikova expands to include poems devoted to St. Petersburg, the image of the ‘generation of the 1990s,’ and problems of contemporary poetry at large. The resulting study uses Repina’s works to address the issue of boundaries in modern poetry.
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来源期刊
Voprosy Literatury
Voprosy Literatury Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
110
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