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引用次数: 0
摘要
本文探讨了家庭电影作为抵抗和归属工具的意义,特别是在民权时代对美国黑人家庭的意义。本研究以南区家庭电影项目(South Side Home Movie Project,SSHMP)、非裔美国人家庭电影档案(African American Home Movie Archive,AAHMA)和非裔美国人历史与文化国家博物馆(National Museum of African American History & Culture,NMAAHC)的档案收藏为重点,揭示了非裔美国人家庭如何通过对国家公园游览和其他休闲活动的电影记录,挑战国家身份的主流叙事。尽管遭遇了猖獗的歧视,这些家庭还是捕捉到了欢乐和放松的时刻,彰显了他们坚韧不拔的精神,以及他们在美国叙事中的合法地位。这些具有历史意义的家庭影片深刻见证了黑人在逆境中的身份认同、复原力和归属感。对这些影片的研究丰富了我们对文化记忆、民族身份以及非裔美国人家庭影片在展现更加细致入微的美国历史方面的作用的理解。
Home movies as technologies of belonging and resistance
This article examines the significance of home movies as tools of resistance and belonging, particularly for African American families during the Civil Rights era. Focusing on archival collections from the South Side Home Movie Project (SSHMP), African American Home Movie Archive (AAHMA), and the National Museum of African American History & Culture (NMAAHC), the study reveals how African American families, through their cinematic documentation of visits to national parks and other leisure activities, challenged prevailing narratives of national identity. Despite encountering rampant discrimination, these families captured moments of joy and relaxation, highlighting their resilience and assertion of their rightful place within the American narrative. These historical home movies are profound testimonials of Black identity, resilience, and belonging in the face of adversity. Examining these films enriches our understanding of cultural memory, national identity, and the role of African American home movies in presenting a more nuanced American history.