维塔-哈罗尔迪和哈姆雷特--想象力的飞跃

David Bell
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摘要

这篇议论性文章的灵感来自于对《维塔-哈罗尔迪》的阅读,以及与莎士比亚《哈姆雷特》的相似之处。在引言中,我探讨了中世纪生存故事《维塔-哈罗尔迪》与《哈姆雷特》之间可能存在的联系。第一部分阐释了研究早期现代英国文学的三种潜在方法:叛徒信的特例、中世纪英国国王之死的历史学,以及伊丽莎白时代英国主要人物对盎格鲁-撒克逊法律和教会的兴趣。第二部分在对《哈姆雷特》的简要解读和阐释中运用了这些方法。哈姆雷特》一剧和哈姆雷特王子这一人物都处于从中世纪到现代早期的过渡时期;从信仰世界到理性世界,从注重复仇到注重正义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Vita Haroldi and Hamlet—a flight of the imagination
This discursive article was inspired by a reading of Vita Haroldi and in seeing similarities to Shakespeare’s Hamlet. In the introduction, I examine the possible links between the medieval survival story Vita Haroldi and Hamlet. Part One explicates three potential approaches to a study of early modern English literature: the traitorous letter trope, the historiography of the death of medieval English kings, and the interest of leading lights in Elizabethan England in Anglo-Saxon law and the church. Part two implements these approaches in a brief reading and interpretation of Hamlet. Both the play Hamlet and the character of Prince Hamlet are situated in a transition from the medieval to the early modern; from a faith-based world to a rational one, from a focus on revenge to one on justice.
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