一所房子的重要性》与 ATLFilmParty 社区的形成

Jenny Gunn
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引用次数: 0

摘要

本文讨论的是亚特兰大裔美国黑人电影制片人奥兰玛-奥帕拉(Olamma Oparah)的短片。Oparah 的影片《The Importance of a House》获得了由 Brooke Sonenreich 于 2021 年夏天创办的首届 ATLFilmParty (AFP) 免费电影竞赛和行业交流活动的冠军。在 COVID-19 大流行和乔治-弗洛伊德(George Floyd)谋杀案后美国种族清算的时代背景下制作和导演的《房子的重要性》,强调了家作为避难所的意义。本文结合奥帕拉在同一时期执导的另外两部影片《洗衣日》和《无人不死》分析了奥帕拉的短片,这两部影片同样探讨了家作为黑人、女性和精神空间的意义。本文通过作者与 "液态黑人 "研究小组的合作,采用以对象为导向、以艺术家为中心的方法,论证了奥帕拉的电影作为文本,反映了《全美电影基金会》在亚特兰大为电影制作人提供本地和独立的家园时,面对全球好莱坞在该市和该地区日益增长的主导地位所满足的背景需求。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Importance of a House and the pandemic formation of the ATLFilmParty community
This article discusses the short films of the Atlanta-based black American filmmaker Olamma Oparah. Oparah’s film The Importance of a House was the winner of the inaugural ATLFilmParty (AFP) free film competition and industry networking event created by Brooke Sonenreich in the summer of 2021. Produced and directed in the era of both the COVID-19 pandemic and the aftermath of the US racial reckoning after the murder of George Floyd, The Importance of a House iterates the home as a site of refuge. This article analyses Oparah’s short in the context of two other films she directed in the same period, Laundry Day and No One Heals Without Dying that similarly explore the meaning of home as a black, female, and spiritual space. Using an object-oriented and artist-centered methodology informed by the author’s work with the liquid blackness research group, this article argues that Oparah’s films as texts speak to the contextual needs that AFP meets in fostering a local and independent home for filmmakers in Atlanta facing global Hollywood’s increasingly dominant presence in the city and the region.
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