哈里-昆兹鲁的《无主之神》和艾米莉-圣约翰-曼德尔的《玻璃旅馆》中的狂欢：巴赫金式解读

IF 0.2 3区文学 0 LITERATURE

CRITIQUE-STUDIES IN CONTEMPORARY FICTION Pub Date : 2024-02-05 DOI:10.1080/00111619.2024.2312232

Jinan F. B. Al-Hajaj, Salma Abdul Hussein Dawood

引用次数: 0

摘要

哈里-昆兹鲁（Hari Kunzru）的《没有男人的神》（2011）和艾米莉-圣约翰-曼德尔（Emily St. John Mandel）的《玻璃酒店》（2020）这两部当代小说被赋予了巴赫金式的解读，以试图追溯肉欲的存在。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

The Carnivalesque in Hari Kunzru’s Gods Without Men and Emily St. John Mandel’s The Glass Hotel: A Bakhtinian Reading

Two contemporary novels, namely, Hari Kunzru’s Gods Without Men (2011) and Emily St. John Mandel’s The Glass Hotel (2020) are given a Bakhtinian reading in an attempt to trace the presence of carni...

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

CRITIQUE-STUDIES IN CONTEMPORARY FICTION LITERATURE-

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： Since its inception in the 1950s, Critique has consistently identified the most notable novelists of our time. In the pages of Critique appeared the first authoritative discussions of Bellow and Malamud in the ''50s, Barth and Hawkes in the ''60s, Pynchon, Elkin, Vonnegut, and Coover in the ''70s; DeLillo, Atwood, Morrison, and García Márquez in the ''80s; Auster, Amy Tan, David Foster Wallace, and Nurrudin Farah in the ''90s; and Lorrie Moore and Mark Danielewski in the new century. Readers go to Critique for critical essays on new authors with emerging reputations, but the general focus of the journal is fiction after 1950 from any country. Critique is published five times a year.