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Gray Morning, and: Wind, and: Against
Michael McGriff (bio)
Gray Morning
We’ve come to think of life hereas one elongating seasonmarked with a tap-and-die sky,a fistful of birds tossedagainst the rag light.My son asks the unanswerablequestions. Each query linksto the next, coal cars pulledtoward the lung-dark trellishis pain builds into the world. [End Page 92]
Wind
When the dead unbury themselves,will they finally throw awayall the chipped saucersand scrape the contact paperfrom the cupboards,will they awakeninto the ceremoniestheir bad knees and small regretshave become? Like me,will their final acts of sincerityinclude keeping their heads downat the grocery store, avoidingconversations with others?
I remember, now,when rat piss, hay, and starsall smelled the same
and how the barn sangin the wind,and how no one caredif I slept there all nightwithout naming any of itor wanting it namedor wanting anything at all. [End Page 93]
Against
As soon as I turnmy back the waveswill undressmy memoriesof the waveswill breaktoward someone elsemaybe youwill hold theminto this lighteverything turnsthe same coloragainst. [End Page 94]
Michael McGriff
Michael McGriff is the author of four books of poetry, Eternal Sentences, Early Hour, Home Burial, and Dismantling the Hills. His other books include a translation of Tomas Tranströmer’s The Sorrow Gondola, an edition of David Wevill’s essential writing, To Build My Shadow a Fire, and the story collection Our Secret Life in the Movies. He codirects the MFA program at the University of Idaho.
期刊介绍:
Having never missed an issue in 115 years, the Sewanee Review is the oldest continuously published literary quarterly in the country. Begun in 1892 at the University of the South, it has stood as guardian and steward for the enduring voices of American, British, and Irish literature. Published quarterly, the Review is unique in the field of letters for its rich tradition of literary excellence in general nonfiction, poetry, and fiction, and for its dedication to unvarnished no-nonsense literary criticism. Each volume is a mix of short reviews, omnibus reviews, memoirs, essays in reminiscence and criticism, poetry, and fiction.