{"title":"伊兰加-拉塞-纳塔尔的早期黑人版画家,1903-1905 年","authors":"Pfunzo Sidogi","doi":"10.1080/09528822.2024.2305549","DOIUrl":null,"url":null,"abstract":"Art historians trace the history of printmaking as a creative endeavour among Black people in South Africa to the mid-twentieth century. While these genealogies are valuable, they exclude and are s...","PeriodicalId":45739,"journal":{"name":"Third Text","volume":"124 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2024-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Early Black Printmaker(s) in Ilanga Lase Natal, 1903–1905\",\"authors\":\"Pfunzo Sidogi\",\"doi\":\"10.1080/09528822.2024.2305549\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Art historians trace the history of printmaking as a creative endeavour among Black people in South Africa to the mid-twentieth century. While these genealogies are valuable, they exclude and are s...\",\"PeriodicalId\":45739,\"journal\":{\"name\":\"Third Text\",\"volume\":\"124 1\",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2024-02-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Third Text\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/09528822.2024.2305549\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Third Text","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/09528822.2024.2305549","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
The Early Black Printmaker(s) in Ilanga Lase Natal, 1903–1905
Art historians trace the history of printmaking as a creative endeavour among Black people in South Africa to the mid-twentieth century. While these genealogies are valuable, they exclude and are s...
期刊介绍:
Third Text is an international scholarly journal dedicated to providing critical perspectives on art and visual culture. The journal examines the theoretical and historical ground by which the West legitimises its position as the ultimate arbiter of what is significant within this field. Established in 1987, the journal provides a forum for the discussion and (re)appraisal of theory and practice of art, art history and criticism, and the work of artists hitherto marginalised through racial, gender, religious and cultural differences. Dealing with diversity of art practices - visual arts, sculpture, installation, performance, photography, video and film.