{"title":"通过虚拟空间接触爱尔兰传统音乐：2021 年 FleadhFest 的体验","authors":"Leandro Pessina","doi":"10.1108/ijefm-12-2022-0106","DOIUrl":null,"url":null,"abstract":"<h3>Purpose</h3>\n<p>The main research questions critically examine online videos that draw attention to a local community of musical practice, noticing how these can potentially be included within the tourism promotion strategies. This paper develops a case study of four videos realised by the Louth County Board of the organisation <em>Comhaltas Ceoltóirí Éireann</em> (CCÉ) in Co. Louth, Ireland, as a part of the <em>FleadhFest 2021</em> initiative. It highlights the role that virtual spaces have in enhancing a sense of belonging to a music/festival community as well as the possibility that visual and audio supports have in promoting and celebrating a destination and its cultural features.</p><!--/ Abstract__block -->\n<h3>Design/methodology/approach</h3>\n<p>The analysis involves a netnographic examination of these videos (Janta, 2017), informed by the concept of “tourist gaze” (Urry, 1990; 2002) and influenced by film-induced tourism studies (Beeton, 2005).</p><!--/ Abstract__block -->\n<h3>Findings</h3>\n<p>Results show how festival and event organisers responded to COVID-19 social restrictions by creating a virtual space for celebrating music heritage and local musicscape, placing an emphasis on local musical scene.</p><!--/ Abstract__block -->\n<h3>Research limitations/implications</h3>\n<p>The research aims to inform future developments in how the organisation operates within and engages with virtual space, its members and a wider audience.</p><!--/ Abstract__block -->\n<h3>Originality/value</h3>\n<p>This is the first study to consider the virtual activities of CCÉ from an ethnomusicological as well as tourism, perspective.</p><!--/ Abstract__block -->","PeriodicalId":46446,"journal":{"name":"International Journal of Event and Festival Management","volume":null,"pages":null},"PeriodicalIF":2.2000,"publicationDate":"2024-02-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Encountering Irish traditional music through virtual space: the experience of FleadhFest 2021\",\"authors\":\"Leandro Pessina\",\"doi\":\"10.1108/ijefm-12-2022-0106\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<h3>Purpose</h3>\\n<p>The main research questions critically examine online videos that draw attention to a local community of musical practice, noticing how these can potentially be included within the tourism promotion strategies. This paper develops a case study of four videos realised by the Louth County Board of the organisation <em>Comhaltas Ceoltóirí Éireann</em> (CCÉ) in Co. Louth, Ireland, as a part of the <em>FleadhFest 2021</em> initiative. It highlights the role that virtual spaces have in enhancing a sense of belonging to a music/festival community as well as the possibility that visual and audio supports have in promoting and celebrating a destination and its cultural features.</p><!--/ Abstract__block -->\\n<h3>Design/methodology/approach</h3>\\n<p>The analysis involves a netnographic examination of these videos (Janta, 2017), informed by the concept of “tourist gaze” (Urry, 1990; 2002) and influenced by film-induced tourism studies (Beeton, 2005).</p><!--/ Abstract__block -->\\n<h3>Findings</h3>\\n<p>Results show how festival and event organisers responded to COVID-19 social restrictions by creating a virtual space for celebrating music heritage and local musicscape, placing an emphasis on local musical scene.</p><!--/ Abstract__block -->\\n<h3>Research limitations/implications</h3>\\n<p>The research aims to inform future developments in how the organisation operates within and engages with virtual space, its members and a wider audience.</p><!--/ Abstract__block -->\\n<h3>Originality/value</h3>\\n<p>This is the first study to consider the virtual activities of CCÉ from an ethnomusicological as well as tourism, perspective.</p><!--/ Abstract__block -->\",\"PeriodicalId\":46446,\"journal\":{\"name\":\"International Journal of Event and Festival Management\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":2.2000,\"publicationDate\":\"2024-02-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal of Event and Festival Management\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1108/ijefm-12-2022-0106\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"HOSPITALITY, LEISURE, SPORT & TOURISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Event and Festival Management","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1108/ijefm-12-2022-0106","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HOSPITALITY, LEISURE, SPORT & TOURISM","Score":null,"Total":0}
Encountering Irish traditional music through virtual space: the experience of FleadhFest 2021
Purpose
The main research questions critically examine online videos that draw attention to a local community of musical practice, noticing how these can potentially be included within the tourism promotion strategies. This paper develops a case study of four videos realised by the Louth County Board of the organisation Comhaltas Ceoltóirí Éireann (CCÉ) in Co. Louth, Ireland, as a part of the FleadhFest 2021 initiative. It highlights the role that virtual spaces have in enhancing a sense of belonging to a music/festival community as well as the possibility that visual and audio supports have in promoting and celebrating a destination and its cultural features.
Design/methodology/approach
The analysis involves a netnographic examination of these videos (Janta, 2017), informed by the concept of “tourist gaze” (Urry, 1990; 2002) and influenced by film-induced tourism studies (Beeton, 2005).
Findings
Results show how festival and event organisers responded to COVID-19 social restrictions by creating a virtual space for celebrating music heritage and local musicscape, placing an emphasis on local musical scene.
Research limitations/implications
The research aims to inform future developments in how the organisation operates within and engages with virtual space, its members and a wider audience.
Originality/value
This is the first study to consider the virtual activities of CCÉ from an ethnomusicological as well as tourism, perspective.
期刊介绍：
The International Journal of Event and Festival Management advances knowledge in the field of events management and enhances the uptake of such knowledge by academics in the field. The double-blind peer-reviewed journal will cover events management issues ranging in scope from small festivals, business and special events to mega events such as the Olympics. Articles will be sourced from all disciplinary perspectives and a multi-disciplinary research approach is encouraged.
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