{"title":"侯孝贤的音响:聆听《尼罗河女儿》中的城市噪音和颓废音乐","authors":"Raymond Kun-Xian Shen","doi":"10.1080/17508061.2024.2313877","DOIUrl":null,"url":null,"abstract":"This article reconsiders the mediation of urban noises and decadent music in Hou Hsiao-hsien’s long-overlooked film Daughter of the Nile (1987) under the dual contexts of noise control and popular ...","PeriodicalId":43535,"journal":{"name":"Journal of Chinese Cinemas","volume":"44 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Hou Hsiao-hsien’s acousmatic sound: Listening to urban noises and decadent music in Daughter of the Nile\",\"authors\":\"Raymond Kun-Xian Shen\",\"doi\":\"10.1080/17508061.2024.2313877\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article reconsiders the mediation of urban noises and decadent music in Hou Hsiao-hsien’s long-overlooked film Daughter of the Nile (1987) under the dual contexts of noise control and popular ...\",\"PeriodicalId\":43535,\"journal\":{\"name\":\"Journal of Chinese Cinemas\",\"volume\":\"44 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2024-02-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Chinese Cinemas\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17508061.2024.2313877\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Chinese Cinemas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17508061.2024.2313877","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Hou Hsiao-hsien’s acousmatic sound: Listening to urban noises and decadent music in Daughter of the Nile
This article reconsiders the mediation of urban noises and decadent music in Hou Hsiao-hsien’s long-overlooked film Daughter of the Nile (1987) under the dual contexts of noise control and popular ...