与创伤后应激障碍(PTSD)相关的音乐治疗干预研究趋势分析:聚焦 2000 至 2022 年国内学术期刊和论文

Ji Seon Hwang, Ji Kyung Lee
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引用次数: 0

摘要

目的 本研究旨在通过分析韩国与创伤后应激障碍(PTSD)相关的音乐疗法干预研究的趋势,了解过去研究的整体流程,并提供数据作为后续研究的方向和基础。研究方法 最初,研究人员找到了 2000 年 1 月至 2022 年 12 月间发表的 176 篇研究论文。经过 8 轮文献筛选,最终选出 19 篇论文。按照研究信息、研究参与者特征和音乐治疗干预相关信息进行了顺序分类。结果 在最终的 19 篇研究中,8 篇为定量研究,9 篇为定性研究。每五年发表的论文数量以 2005 年至 2009 年和 2015 年至 2019 年为最多,分别为 6 篇。在研究参与者人数方面,10 项研究(52.63%)的参与者人数少于 10 人,3 篇论文(15.79%)的参与者人数超过 50 人。119名(28.81%)参与者的年龄介于十几岁到四十几岁之间。参与者最常见的创伤类型是 "重复性创伤",有 17 人(89.48%)。在音乐治疗干预方面,自变量为 "表现性音乐活动 "的研究最多,有9项(47.37%);因变量为 "复合 "变量,包括两个或两个以上的领域,有8项(42.11%)。干预类型为 "小组 "的有 10 项(52.63%),干预次数为 10 至 19 次的有 8 项(42.11%)。干预时间为 40 至 50 分钟的有 4 例(21.05%)。最后,音乐治疗干预的地点通常在 "音乐练习室或音乐治疗室 "进行。除 4 篇论文外,治疗干预均由专业音乐治疗师进行。结论 本研究从一个全面的角度探讨了针对创伤后应激障碍(PTSD)患者的音乐疗法的特点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Music Therapy Intervention Research Trend Analysis Associated with Post Traumatic Stress Disorder (PTSD): Focusing on Domestic Academic Journals and Theses from 2000 to 2022
Objectives This study aims to understand the overall flow of past research by analyzing trends in music therapy intervention research related to Post-Traumatic Stress Disorder (PTSD) in South Korea and to present data that will serve as a direction and basis for follow-up research. Methods Initially, it was found 176 studies published between January 2000 and December 2022. A total of 19 papers were finally selected after 8 rounds of literature purification process. This was sequentially classified into research information, characteristics of study participants, and music therapy intervention-related information. Results Among the final 19 studies, 8 were quantitative studies and 9 were qualitative studies. The number of papers published every five years was the highest from 2005 to 2009 and from 2015 to 2019, with 6 papers each. As for the number of research participants, 10 studies (52.63%) had less than 10 participants, and 3 papers (15.79%) had more than 50 participants. 119(28.81%) participants were aged between teens and 40s. The most common type of trauma experienced by participants was ‘repetitive trauma’, with 17 people (89.48%). Regarding music therapy intervention, the independent variable was ‘expressive music activity’, which was the most com-mon with 9 studies(47.37%), and the dependent variable was ‘composite’ variable with two or more areas estab-lished, which was the highest with 8 studies(42.11%). The type of intervention was ‘group’ in 10 cases (52.63%), and the number of sessions was 10 to 19 sessions, 8 cases (42.11%). The intervention time was 40 to 50 minutes in 4 cases (21.05%). Lastly, the location of music therapy intervention was often carried out in a ‘music practice room or music therapy room’. Except for four papers, treatment interventions were performed by professional music therapists. Conclusions This study provided a comprehensive perspective on the characteristics of music therapy for pa-tients with post-traumatic stress disorder (PTSD).
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