谁是古代批评中的白痴?

Laura Viidebaum
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引用次数: 0

摘要

本文讨论了哈利卡纳苏斯的狄奥尼修斯 (Dionysius of Halicarnassus) 的批评文章中常被翻译为 "门外汉 "的ἰδιώτης 概念,他特别强调在审美评价中验证ἰδιώτης 的判断力。狄奥尼修斯关注艺术的影响力和接受度,这为他改变ἰδιώτης 的语义奠定了基础,使其不再与艺术家/批评家严格对立,而是成为一个更具流动性的类别,从 "不熟练 "的听众和门外汉到相对有经验的 "业余爱好者"。狄奥尼修斯将批评中从ἰδιώτης到τεχνίτης的转变视为一个更为渐进的过程(而非不可调和的分裂),从而表明修辞学和文学批评是一种特别相关的学习形式,与罗马帝国的情感息息相关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
WHO IS AN IDIOT IN ANCIENT CRITICISM?
This article discusses the concept of ἰδιώτης, often translated as ‘layman’, in Dionysius of Halicarnassus’ critical essays, where he places particular emphasis on validating the judgement of the ἰδιώτης in aesthetic evaluation. Dionysius’ focus on the impact and reception of art enables him to lay the groundwork for shifting the semantic meaning of ἰδιώτης from being in strict opposition to the artist/critic to a more fluid category, ranging from ‘unskilled’ listener and layman to a relatively experienced ‘amateur’. By conceiving the change from ἰδιώτης to τεχνίτης in criticism as a more gradual process (rather than one of irreconcilable division), Dionysius shows the discipline of rhetoric and literary criticism to be a particularly relevant form of learning that speaks to the sensibilities of Imperial Rome.
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