作为虚构对象的历史性纽约

Alexandru Oravițan
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引用次数: 0

摘要

本文旨在研究从华盛顿-欧文(1809 年)的《纽约史》到当代 "9-11 "事件后的小说等著名美国文学作品中对纽约市的描写,分析对纽约市不断变化的描写是如何转化为有力的、揭示性的虚构对象,从而丰富了融入其中的文学作品。通过采用特伦斯-帕森斯(Terrence Parsons,1980 年)在其里程碑式的著作《不存在的对象》(Nonexistent Objects)中提出的将虚构对象分为本土对象、移民对象和替代对象的分类方法,这项关于纽约的应用研究认为,在所讨论的小说的更大文学框架内,被视为虚构对象的城市能够激发对文本的积极阅读,并促使人们对其更广泛的文化意义做出不同的解释。从根本上说,本文说明了纽约市的历史身份是如何在美国文学中不断被重新想象的,以及这些富有想象力的表述是如何继续影响我们当代大众对这座城市的看法的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Historic(al) New York as Fictional Object
This paper aims to investigate the portrayal of New York City in prominent American literary works, ranging from Washington Irving’s (1809) A History of New York to contemporary post-9/11 novels through an analysis of how evolving depictions of the city have been transformed into potent and revealing fictional objects that enrich the literary works into which they have been integrated. By employing the classification of fictional objects into native, immigrant, and surrogate set forth by Terrence Parsons (1980) in his landmark work Nonexistent Objects, this applied study on New York posits that, within the larger literary framework of the novels under discussion, cities construed as fictional objects manage to stimulate an active reading of the text and prompt diverse interpretations of their broader cultural significance. Essentially, this paper illustrates how the historical identity of New York City has been continually reimagined in American literature and how these imaginative representations continue to influence our contemporary popular perception of the city.
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