破碎的空间和被围墙隔开的现实

Zoltán Veres
{"title":"破碎的空间和被围墙隔开的现实","authors":"Zoltán Veres","doi":"10.52885/pah.v3i2.148","DOIUrl":null,"url":null,"abstract":"This paper proposes a closer view into how space is structured with one single purpose: to exercise power, both in physical and structural, or rather physical–structural form, bending and twisting human behavior around it. Separation walls embody frustration that stems from unresolved traumas of the past that perpetuate the impotence to solve or re-solve these traumas. Individuals living in the shadows of such walls have incorporated the pain of these traumas into their identities, a pain that leads to an external expression of the incorporation that is then directed towards the wall changing its purpose, turning it into a canvas of creative capitulation in front of the power represented by it. The artifacts that start populating and decorating such walls function as a form of aesthetic domestication, shifting impotence into potency, offering a new semiotic field for the definition of the term “aesthetic resistance.” The objects discussed in this paper include the Berlin Wall and the Israeli–Palestinian separation wall (as seen from Netiv HaAsara and Bethlehem). Walls are not specifically defined in this text. They can be metaphorical, and conventional (without material representation), they can be represented by differences that separate people, institutions, and political structures from each other. This text has not been written with the desire to offer a thorough academic introduction into “teichopolitics” (the politics of walls); instead, it provides a phenomenological “description” of a sort of different experiences regarding various ways of seeing, feeling, and understanding walls.","PeriodicalId":494111,"journal":{"name":"Papers in Arts and Humanities","volume":"40 19","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-01-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Broken Spaces and Walled Off Realities\",\"authors\":\"Zoltán Veres\",\"doi\":\"10.52885/pah.v3i2.148\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper proposes a closer view into how space is structured with one single purpose: to exercise power, both in physical and structural, or rather physical–structural form, bending and twisting human behavior around it. Separation walls embody frustration that stems from unresolved traumas of the past that perpetuate the impotence to solve or re-solve these traumas. Individuals living in the shadows of such walls have incorporated the pain of these traumas into their identities, a pain that leads to an external expression of the incorporation that is then directed towards the wall changing its purpose, turning it into a canvas of creative capitulation in front of the power represented by it. The artifacts that start populating and decorating such walls function as a form of aesthetic domestication, shifting impotence into potency, offering a new semiotic field for the definition of the term “aesthetic resistance.” The objects discussed in this paper include the Berlin Wall and the Israeli–Palestinian separation wall (as seen from Netiv HaAsara and Bethlehem). Walls are not specifically defined in this text. They can be metaphorical, and conventional (without material representation), they can be represented by differences that separate people, institutions, and political structures from each other. This text has not been written with the desire to offer a thorough academic introduction into “teichopolitics” (the politics of walls); instead, it provides a phenomenological “description” of a sort of different experiences regarding various ways of seeing, feeling, and understanding walls.\",\"PeriodicalId\":494111,\"journal\":{\"name\":\"Papers in Arts and Humanities\",\"volume\":\"40 19\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-01-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Papers in Arts and Humanities\",\"FirstCategoryId\":\"0\",\"ListUrlMain\":\"https://doi.org/10.52885/pah.v3i2.148\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Papers in Arts and Humanities","FirstCategoryId":"0","ListUrlMain":"https://doi.org/10.52885/pah.v3i2.148","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

本文提出了一个更近距离的视角,来探讨空间结构的唯一目的:以物理和结构形式,或者说物理-结构形式,行使权力,弯曲和扭曲周围的人类行为。隔离墙所体现的挫败感源于过去未解决的创伤,而这些创伤又使解决或重新解决这些创伤的无能为力永久化。生活在隔离墙阴影下的人将这些创伤的痛苦融入了自己的身份中,这种痛苦导致了这种融入的外在表现,而这种外在表现又改变了隔离墙的目的,使它在隔离墙所代表的力量面前变成了一幅创造性屈服的画布。开始填充和装饰这些墙壁的人工制品发挥了一种美学驯化的作用,将无能转变为有力,为 "美学抵抗 "一词的定义提供了一个新的符号学领域。本文讨论的对象包括柏林墙和以色列-巴勒斯坦隔离墙(从 Netiv HaAsara 和伯利恒看)。本文没有对墙进行具体定义。它们可以是隐喻的,也可以是传统的(没有物质表征),它们可以表现为人与人、机构与机构、政治结构与政治结构之间的差异。写这篇文章的目的并不是对 "墙壁政治学"(teichopolitics)进行全面的学术介绍,而是从现象学的角度 "描述 "人们看待、感受和理解墙壁的各种方式的不同体验。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Broken Spaces and Walled Off Realities
This paper proposes a closer view into how space is structured with one single purpose: to exercise power, both in physical and structural, or rather physical–structural form, bending and twisting human behavior around it. Separation walls embody frustration that stems from unresolved traumas of the past that perpetuate the impotence to solve or re-solve these traumas. Individuals living in the shadows of such walls have incorporated the pain of these traumas into their identities, a pain that leads to an external expression of the incorporation that is then directed towards the wall changing its purpose, turning it into a canvas of creative capitulation in front of the power represented by it. The artifacts that start populating and decorating such walls function as a form of aesthetic domestication, shifting impotence into potency, offering a new semiotic field for the definition of the term “aesthetic resistance.” The objects discussed in this paper include the Berlin Wall and the Israeli–Palestinian separation wall (as seen from Netiv HaAsara and Bethlehem). Walls are not specifically defined in this text. They can be metaphorical, and conventional (without material representation), they can be represented by differences that separate people, institutions, and political structures from each other. This text has not been written with the desire to offer a thorough academic introduction into “teichopolitics” (the politics of walls); instead, it provides a phenomenological “description” of a sort of different experiences regarding various ways of seeing, feeling, and understanding walls.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信