狂热的燕子:索福克勒斯《特雷乌斯》中菲洛梅拉的声音

Chiara Blanco
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摘要

本文研究了从索福克勒斯的片段《特雷乌斯》中推断出的菲洛梅拉蜕变为燕子的过程。第一部分重点探讨了燕子与野蛮语言之间的关联,为菲洛梅拉在剧中的角色塑造提供了新的视角。第二部分研究了促使菲洛梅拉被认出的织布工具--梭子,认为在 fr. 595 Radt 中提到的梭子的 "声音 "不仅指它所织成的挂毯,还指梭子的实际声音,古希腊人将梭子的声音与燕子联系在一起,从而预示了菲洛梅拉的蜕变。菲洛米拉是一个说话受阻但又能发声的人物,这支持了她和妹妹复仇行为的狄俄尼背景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE FRENZIED SWALLOW: PHILOMELA'S VOICE IN SOPHOCLES’ TEREUS
This paper investigates Philomela's metamorphosis into a swallow as inferred from Sophocles’ fragmentary Tereus. The first part focusses on the association between the swallow and barbaric language, casting new light on Philomela's characterization in the play. The second investigates the shuttle, the weaving tool which prompts the recognition of Philomela, arguing that the mention of its ‘voice’ in fr. 595 Radt refers not only to the tapestry which it created, but also to the actual sound of the shuttle, which ancient Greeks associated with the swallow, and thus anticipates Philomela's metamorphosis. The representation of Philomela as a speech-impeded and yet vocal character supports the Dionysiac background of the act of vengeance which she and her sister commit.
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