1620 年代动荡时期圣玛丽亚-马焦雷的音乐与危机

IF 1.2 1区历史学 0 MEDIEVAL & RENAISSANCE STUDIES

RENAISSANCE QUARTERLY Pub Date : 2024-01-24 DOI:10.1017/rqx.2023.542

Jason Rosenholtz-Witt

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引用次数: 0

摘要

16 世纪 20 年代，当整个意大利北部的教堂都因资金缩水而减少音乐开支时，马焦雷圣母会却继续为贝加莫的马焦雷圣玛丽亚教堂的音乐事业慷慨解囊。在战争、紧缩、死亡、饥荒和瘟疫肆虐的十年间，音乐得到了机构的大力支持。通过新的档案研究，我们可以看到，面对多方面的挑战，音乐生活对贝尔加莫社区的持久重要性。此外，贝加莫还是一个被忽视的地点，在塞古时期早期的意大利，这里的大规模音乐活动几乎是无与伦比的。

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Music and Crisis at Santa Maria Maggiore during the Turbulent 1620s

During the 1620s, when churches throughout Northern Italy were scaling back musical expenditures due to shrinking coffers, the confraternity Misericordia Maggiore continued to lavishly fund music in Santa Maria Maggiore, Bergamo. In a decade marred by war, austerity, death, famine, and plague, music received robust institutional support. Drawing from new archival research, a picture emerges of the enduring importance of musical life to the Bergamasque community in the face of challenges on multiple fronts. Additionally, Bergamo surfaces as a neglected site of almost unparalleled large-scale musical activity in early Seicento Italy.

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来源期刊

RENAISSANCE QUARTERLY MEDIEVAL & RENAISSANCE STUDIES-

CiteScore

0.40

自引率

16.70%

发文量

108

期刊介绍： Starting with volume 62 (2009), the University of Chicago Press will publish Renaissance Quarterly on behalf of the Renaissance Society of America. Renaissance Quarterly is the leading American journal of Renaissance studies, encouraging connections between different scholarly approaches to bring together material spanning the period from 1300 to 1650 in Western history. The official journal of the Renaissance Society of America, RQ presents twelve to sixteen articles and over four hundred reviews per year.