它怎能不知道自己是什么？牢记残疾是整体的一部分

IF 0.4 4区艺术学 0 ART

LEONARDO Pub Date : 2024-01-24 DOI:10.1162/leon_a_02497

Indira Allegra, Allison Leigh Holt

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引用次数: 0

摘要

How Can It Not Know What It Is? 是一场对话，以备受推崇的科幻电影《银翼杀手》（Blade Runner，1982 年）为框架，探讨记忆和确认残疾人身份在人类集体经历中的作用，特别是关于技术、自我认知的力量，以及这些概念如何与资本主义和当代政治交织在一起。在摘录于此的公开对话中，艺术家-作者们讨论了 "完全的人类 "意味着什么，探讨了从记忆到扩展认知、从民族神话到人工智能伦理等主题。

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How Can It Not Know What It Is?: Remembering Disability as Part of the Whole

How Can It Not Know What It Is? is a conversation that uses the revered sci-fi film Blade Runner (1982) as a frame to explore the role of memory and affirming disabled identity in collective human experience, specifically concerning technology, the power of self-knowledge, and how these concepts intersect with capitalism and contemporary politics. In an open conversation excerpted here, the artist-authors discuss what it means to be wholly human, navigating subjects from memory to extended cognition, from national mythology to the ethics of AI.

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来源期刊

LEONARDO ART-

CiteScore

0.90

自引率

0.00%

发文量

139

期刊介绍： Leonardo was founded in 1968 in Paris by kinetic artist and astronautical pioneer Frank Malina. Malina saw the need for a journal that would serve as an international channel of communication between artists, with emphasis on the writings of artists who use science and developing technologies in their work. Today, Leonardo is the leading journal for readers interested in the application of contemporary science and technology to the arts.