在钢琴与高音之间：借助助听器听力

IF 0.4 4区艺术学 0 ART

LEONARDO Pub Date : 2024-01-24 DOI:10.1162/leon_a_02496

Olivia Ting

{"title":"在钢琴与高音之间：借助助听器听力","authors":"Olivia Ting","doi":"10.1162/leon_a_02496","DOIUrl":null,"url":null,"abstract":"The author connects reviving her piano practice after a 20-year hiatus with her deaf right ear “learning” to hear again with a cochlear implant. She touches upon parallels between the physiology of the instrument and her own body, and how they inform the inquiry for her Leonardo CripTech Incubator/Thoughtworks residency project Song Without Words.","PeriodicalId":46524,"journal":{"name":"LEONARDO","volume":"24 1","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2024-01-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Between Piano and Forte: Hearing with Aids\",\"authors\":\"Olivia Ting\",\"doi\":\"10.1162/leon_a_02496\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The author connects reviving her piano practice after a 20-year hiatus with her deaf right ear “learning” to hear again with a cochlear implant. She touches upon parallels between the physiology of the instrument and her own body, and how they inform the inquiry for her Leonardo CripTech Incubator/Thoughtworks residency project Song Without Words.\",\"PeriodicalId\":46524,\"journal\":{\"name\":\"LEONARDO\",\"volume\":\"24 1\",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2024-01-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"LEONARDO\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1162/leon_a_02496\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"LEONARDO","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1162/leon_a_02496","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}

引用次数: 0

摘要

作者将她中断 20 年的钢琴练习与她失聪的右耳通过植入人工耳蜗重新 "学会 "听力联系起来。她谈到了乐器的生理学和她自己的身体之间的相似之处，以及这些相似之处如何为她的莱昂纳多克里普技术孵化器/思想工坊驻留项目 "无言之歌 "的研究提供信息。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Between Piano and Forte: Hearing with Aids

The author connects reviving her piano practice after a 20-year hiatus with her deaf right ear “learning” to hear again with a cochlear implant. She touches upon parallels between the physiology of the instrument and her own body, and how they inform the inquiry for her Leonardo CripTech Incubator/Thoughtworks residency project Song Without Words.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

LEONARDO ART-

CiteScore

0.90

自引率

0.00%

发文量

139

期刊介绍： Leonardo was founded in 1968 in Paris by kinetic artist and astronautical pioneer Frank Malina. Malina saw the need for a journal that would serve as an international channel of communication between artists, with emphasis on the writings of artists who use science and developing technologies in their work. Today, Leonardo is the leading journal for readers interested in the application of contemporary science and technology to the arts.