{"title":"凝视后方:通过 Eco-Crip 破解跨部门压迫:赛博坦未来","authors":"Aminder Virdee","doi":"10.1162/leon_a_02501","DOIUrl":null,"url":null,"abstract":"The author discusses their transmedia art installation, Eco-Crip: Cybotanical Futures (2021), as a site that critically explores and re-worlds the intersectional oppressions faced by disabled BIPOC individuals—centering on their own identity and complex lived experiences. Through a re-worlding lens, the artwork harnesses autoethnography, disability justice, and critical theory to confront and reclaim lifelong systemic oppression and medical surveillance, integrating computational art and digital painting to reconstruct medically quantified bioimaging and South Asian botanical archives into alternative “Cybotanical” futures. The author traces this work back to their earlier piece, ‘Keep This Leaflet. You May Need to Read It Again’ (2014), a seminal creation in their criptech journey. Eco-Crip: Cybotanical Futures embraces a DIY ethos to hack and decolonize archives and technologies, navigating multifaceted meaning-making where beauty and pain converge—mapping new frontiers of crip technoscience art that challenges various systems of power and their associated gazes.","PeriodicalId":46524,"journal":{"name":"LEONARDO","volume":"18 1","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2024-01-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Staring Back: Hacking Intersectional Oppression through Eco-Crip: Cybotanical Futures\",\"authors\":\"Aminder Virdee\",\"doi\":\"10.1162/leon_a_02501\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The author discusses their transmedia art installation, Eco-Crip: Cybotanical Futures (2021), as a site that critically explores and re-worlds the intersectional oppressions faced by disabled BIPOC individuals—centering on their own identity and complex lived experiences. Through a re-worlding lens, the artwork harnesses autoethnography, disability justice, and critical theory to confront and reclaim lifelong systemic oppression and medical surveillance, integrating computational art and digital painting to reconstruct medically quantified bioimaging and South Asian botanical archives into alternative “Cybotanical” futures. The author traces this work back to their earlier piece, ‘Keep This Leaflet. You May Need to Read It Again’ (2014), a seminal creation in their criptech journey. Eco-Crip: Cybotanical Futures embraces a DIY ethos to hack and decolonize archives and technologies, navigating multifaceted meaning-making where beauty and pain converge—mapping new frontiers of crip technoscience art that challenges various systems of power and their associated gazes.\",\"PeriodicalId\":46524,\"journal\":{\"name\":\"LEONARDO\",\"volume\":\"18 1\",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2024-01-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"LEONARDO\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1162/leon_a_02501\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"LEONARDO","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1162/leon_a_02501","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Staring Back: Hacking Intersectional Oppression through Eco-Crip: Cybotanical Futures
The author discusses their transmedia art installation, Eco-Crip: Cybotanical Futures (2021), as a site that critically explores and re-worlds the intersectional oppressions faced by disabled BIPOC individuals—centering on their own identity and complex lived experiences. Through a re-worlding lens, the artwork harnesses autoethnography, disability justice, and critical theory to confront and reclaim lifelong systemic oppression and medical surveillance, integrating computational art and digital painting to reconstruct medically quantified bioimaging and South Asian botanical archives into alternative “Cybotanical” futures. The author traces this work back to their earlier piece, ‘Keep This Leaflet. You May Need to Read It Again’ (2014), a seminal creation in their criptech journey. Eco-Crip: Cybotanical Futures embraces a DIY ethos to hack and decolonize archives and technologies, navigating multifaceted meaning-making where beauty and pain converge—mapping new frontiers of crip technoscience art that challenges various systems of power and their associated gazes.
期刊介绍:
Leonardo was founded in 1968 in Paris by kinetic artist and astronautical pioneer Frank Malina. Malina saw the need for a journal that would serve as an international channel of communication between artists, with emphasis on the writings of artists who use science and developing technologies in their work. Today, Leonardo is the leading journal for readers interested in the application of contemporary science and technology to the arts.