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引用次数: 0
摘要
摘要:本文旨在通过对《布罗特:公共空间中的装置艺术》(Brote: instalación escénica en el espacio público)的分析来阐述 "装置 "这一概念,该作品于2021年在瓦尔帕莱索上演,由Laboratorio de Creación Teatral制作,Stefany Duarte执导。该剧是对智利社会中公共空间去自然化和妇女困境的政治回应。杜阿尔特从妇女的证词入手,围绕她们与自然的联系展开创作。其结果是一个跨学科的生态女权主义装置,将女性聚集在一个温室中。Brote 将图像和空间置于语言之上,是一个依靠观众来完成的沉浸式提案。作为一项具有政治破坏性的活动,《Brote》的首演特意安排在 2019 年妇女游行(M8)和其他旨在呼吁人们关注当代社会妇女困境的活动期间。
Brote, instalación política disruptiva en las artes escénicas contemporáneas de Valparaíso
Abstract:
This article aims to deploy the notion of "installation" through an analysis of Brote: instalación escénica en el espacio público, which was staged in Valparaíso in 2021 by the Laboratorio de Creación Teatral and directed by Stefany Duarte. The staging was a political response to both the de-naturalization of public spaces and the plight of women in Chilean society. Duarte began by working with testimonies by women that revolved around their connection to nature. The result is an interdisciplinary, ecofeminist installation that congregates women inside a greenhouse. Granting primacy to image and space over language, Brote is an immersive proposal that depends on spectators for its completion. A politically disruptive event, the premiere of Brote was purposely scheduled to coincide with the 2019 Women's March (M8) and other manifestations staged to call attention to the plight of women in contemporary society.