从插图到文化背景

IF 0.2 3区 历史学 0 CLASSICS
Lucio Del Corso
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引用次数: 0

摘要

摘要 1900 年至 1902 年间,皮埃尔-朱盖特在法尤姆发掘期间发现了大量木乃伊纸盒,这些纸盒与各种文件一起,产生了一些令人惊奇的、以前已经失传的文学文本,如米南德的《西西欧尼亚人》、欧里庇得斯的《埃雷克瑟斯》和斯泰西克鲁斯的《Thebaid》。纸莎草纸的确切发现地点尚不清楚:我们知道这些木乃伊是在 Medinet Ghoran 和 Medinet en Nahas(古马格多拉)之间的不同墓穴中发现的,但基本没有明确的地形信息:纸盒在运抵法国后,经过几十年的不同步骤被拆除,因此其 "档案 "历史往往难以追溯。尽管如此,即使它们的考古背景已不复存在,但通过比较它们的文字学、古文字学和 "书目学 "特征,这些文本似乎指向了共同的文化背景。本文将对这些特征进行调查,以反思托勒密埃及希腊文学文本的读者和流通情况。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
From Cartonnages to Cultural Contexts
Abstract During his excavations in the Fayum, between 1900 and 1902, Pierre Jouguet was able to find a large number of mummy cartonnages, which along with documents of various sorts yielded some surprising, previously lost literary texts, such as Menander’s Sicyonians, Euripides’ Erechtheus, and Stesichorus’ Thebaid. The exact find-spot of the papyri is unclear: we know that the mummies were found in different necropoleis between Medinet Ghoran and Medinet en Nahas (ancient Magdola), but clear topographic information is largely missing: after reaching France, the cartonnages were dismantled in different steps over a span of several decades, so their ‘archival’ history is often difficult to trace. Nonetheless, even if their archaeological context is lost, the texts seem to point to common cultural contexts, as suggested by a comparison of their philological, palaeographic and ‘bibliological’ features. This article will survey such characteristics, in order to reflect on the readership and circulation of Greek literary texts in Ptolemaic Egypt.
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来源期刊
Trends in Classics
Trends in Classics CLASSICS-
CiteScore
0.40
自引率
50.00%
发文量
9
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