幻觉症患者的音乐体验:情感、奖赏和日常功能

Sarah Hashim, Claudia Pulcini, A. Jansari, M. Küssner, Diana Omigie
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摘要

视觉意象被认为是音乐诱发听众情感的八种机制之一。对 "幻象症 "的初步研究表明,"幻象症 "患者可能会对想象中的刺激产生较少的情感体验。"幻象症 "是指在头脑中没有(或只有很少)形成视觉意象的人。在这项由两部分组成的在线调查中,我们试图探索象觉障碍者在聆听音乐时的情感体验。在调查 1 中,我们比较了 51 名幻听症患者和 51 名对照组患者在聆听三段电影音乐选段时的视觉形象体验、喜好和情感强度感受。我们发现,在视觉形象和感受到的情感强度方面存在明显的群体差异,但在喜欢程度方面却没有。在调查 2 中,我们通过比较 29 名象限症患者和 29 名匹配对照组患者的回答,考察了象限症患者识别音乐所传达情感的能力,以及他们在日常生活中体验和接触音乐的模式。我们发现,他们在情绪辨别能力方面没有差异。然而,象患者对音乐的回忆(音乐聆听的适应功能量表中的维度)和外显记忆(MecScale 量表中的维度)普遍较少。在对音乐奖赏的敏感度(使用 BMRQ 测量)或音乐复杂性(使用 Gold-MSI 测量)方面,象患者和对照组听者没有表现出差异。最后,我们的研究结果表明,对照组与单纯性和轻微性幻听者之间存在细微差别。总之,我们揭示了幻觉症对音乐情感反应的影响,从而为视觉意象与音乐情感之间的关系提供了进一步的证据。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Experience of Music in Aphantasia: Emotion, Reward, and Everyday Functions
Visual imagery has been proposed to be one of eight mechanisms by which music induces emotion in listeners. Initial research into aphantasia, a condition referring to individuals who do not (or only minimally) form visual imagery in their mind's eye, suggests that aphantasics may experience reduced emotional experiences in response to imagined stimuli. In this two-part online investigation, we sought to explore the emotional experiences of aphantasics within the context of music listening. In Survey 1, we compared 51 aphantasics to 51 control individuals in terms of their experiences of visual imagery, liking, and felt emotional intensity when listening to three film music excerpts. We found significant group differences in terms of visual imagery and felt emotional intensity, but not liking. In Survey 2, we examined aphantasics’ ability to recognize emotions conveyed by music, and their patterns of experience of, and engagement with, music in everyday life by comparing the responses of 29 aphantasics with 29 matched controls. We found no differences in terms of emotion discrimination ability. However, aphantasics generally experienced less Reminiscence (dimension from the Adaptive Functions of Music Listening scale) to music, as well as fewer Episodic Memories (dimension from the MecScale). Aphantasics and control listeners did not exhibit differences in terms of sensitivity to musical reward (measured using the BMRQ) or in terms of musical sophistication (measured using the Gold-MSI). Finally, our findings suggest nuanced differences between controls and those with pure and minimal aphantasia. In all, we reveal the influence that aphantasia can have on emotional responses to music and thus provide further evidence for the relationship between visual imagery and music-induced emotion.
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