{"title":"安提阿语中的一种口头诗歌体裁--\"范恩\":关于形式和表演实践的评论","authors":"Mahmut Ağbaht, Martin Greve","doi":"10.1093/jss/fgad048","DOIUrl":null,"url":null,"abstract":"\n The fann is a genre of oral poetry in the vernacular Arabic of the Alawi community in the Antioch/Hatay province of Turkey. Until recently, it has hardly been mentioned in academic literature. Poetic form and rhythm structure are largely fixed in this genre and it is almost always performed in a similar way; when it comes to the quality of the voice, including a more or less clear melodic shape, there is more left up to the performer. During performances, the rhythmical element dominates the essence of melodic aspects. A preliminary comparison with related genres in the region demonstrates that both the form and performance practice of fann resemble genres in neighbouring Arab countries. Comparison also finds that there is hardly any connection with any Turkish and Kurdish singer-poem tradition as practised in nearby regions. Only recent changes indicate influences from contemporary Turkish music.","PeriodicalId":17130,"journal":{"name":"Journal of Semitic Studies","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2024-01-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Fann, a Genre of Oral Poetry in Antiochian Arabic: Remarks on Form and Performance Practice\",\"authors\":\"Mahmut Ağbaht, Martin Greve\",\"doi\":\"10.1093/jss/fgad048\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n The fann is a genre of oral poetry in the vernacular Arabic of the Alawi community in the Antioch/Hatay province of Turkey. Until recently, it has hardly been mentioned in academic literature. Poetic form and rhythm structure are largely fixed in this genre and it is almost always performed in a similar way; when it comes to the quality of the voice, including a more or less clear melodic shape, there is more left up to the performer. During performances, the rhythmical element dominates the essence of melodic aspects. A preliminary comparison with related genres in the region demonstrates that both the form and performance practice of fann resemble genres in neighbouring Arab countries. Comparison also finds that there is hardly any connection with any Turkish and Kurdish singer-poem tradition as practised in nearby regions. Only recent changes indicate influences from contemporary Turkish music.\",\"PeriodicalId\":17130,\"journal\":{\"name\":\"Journal of Semitic Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2024-01-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Semitic Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/jss/fgad048\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ASIAN STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Semitic Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/jss/fgad048","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
The Fann, a Genre of Oral Poetry in Antiochian Arabic: Remarks on Form and Performance Practice
The fann is a genre of oral poetry in the vernacular Arabic of the Alawi community in the Antioch/Hatay province of Turkey. Until recently, it has hardly been mentioned in academic literature. Poetic form and rhythm structure are largely fixed in this genre and it is almost always performed in a similar way; when it comes to the quality of the voice, including a more or less clear melodic shape, there is more left up to the performer. During performances, the rhythmical element dominates the essence of melodic aspects. A preliminary comparison with related genres in the region demonstrates that both the form and performance practice of fann resemble genres in neighbouring Arab countries. Comparison also finds that there is hardly any connection with any Turkish and Kurdish singer-poem tradition as practised in nearby regions. Only recent changes indicate influences from contemporary Turkish music.
期刊介绍:
The Journal of Semitic Studies was established in 1955 and since then has built up a reputation as one of the leading international academic journals in its field. Semitic Studies has always been understood by the editors to include the modern as well as the ancient Near (Middle) East, with special emphasis on research into the languages and literatures of the area. The editors continue to maintain the policy of ensuring that each volume contains items of interest to Orientalists and Biblical Scholars. Extensive reviews of selected books, as well as general review notices, remain a feature of the Journal.