安提阿语中的一种口头诗歌体裁--"范恩":关于形式和表演实践的评论

IF 0.3 4区 社会学 0 ASIAN STUDIES
Mahmut Ağbaht, Martin Greve
{"title":"安提阿语中的一种口头诗歌体裁--\"范恩\":关于形式和表演实践的评论","authors":"Mahmut Ağbaht, Martin Greve","doi":"10.1093/jss/fgad048","DOIUrl":null,"url":null,"abstract":"\n The fann is a genre of oral poetry in the vernacular Arabic of the Alawi community in the Antioch/Hatay province of Turkey. Until recently, it has hardly been mentioned in academic literature. Poetic form and rhythm structure are largely fixed in this genre and it is almost always performed in a similar way; when it comes to the quality of the voice, including a more or less clear melodic shape, there is more left up to the performer. During performances, the rhythmical element dominates the essence of melodic aspects. A preliminary comparison with related genres in the region demonstrates that both the form and performance practice of fann resemble genres in neighbouring Arab countries. Comparison also finds that there is hardly any connection with any Turkish and Kurdish singer-poem tradition as practised in nearby regions. Only recent changes indicate influences from contemporary Turkish music.","PeriodicalId":17130,"journal":{"name":"Journal of Semitic Studies","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2024-01-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Fann, a Genre of Oral Poetry in Antiochian Arabic: Remarks on Form and Performance Practice\",\"authors\":\"Mahmut Ağbaht, Martin Greve\",\"doi\":\"10.1093/jss/fgad048\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n The fann is a genre of oral poetry in the vernacular Arabic of the Alawi community in the Antioch/Hatay province of Turkey. Until recently, it has hardly been mentioned in academic literature. Poetic form and rhythm structure are largely fixed in this genre and it is almost always performed in a similar way; when it comes to the quality of the voice, including a more or less clear melodic shape, there is more left up to the performer. During performances, the rhythmical element dominates the essence of melodic aspects. A preliminary comparison with related genres in the region demonstrates that both the form and performance practice of fann resemble genres in neighbouring Arab countries. Comparison also finds that there is hardly any connection with any Turkish and Kurdish singer-poem tradition as practised in nearby regions. Only recent changes indicate influences from contemporary Turkish music.\",\"PeriodicalId\":17130,\"journal\":{\"name\":\"Journal of Semitic Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2024-01-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Semitic Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/jss/fgad048\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ASIAN STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Semitic Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/jss/fgad048","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
引用次数: 0

摘要

范恩是土耳其安蒂奥克/哈塔伊省阿拉维社区的一种阿拉伯语口头诗歌体裁。直到最近,学术文献中还很少提及这种体裁。这种体裁的诗歌形式和节奏结构基本固定,而且几乎总是以类似的方式进行表演;至于声音的质量,包括或多或少清晰的旋律形状,则更多地取决于表演者。在表演过程中,节奏元素主导着旋律的本质。与该地区相关体裁的初步比较表明,范恩的形式和表演实践与阿拉伯邻国的体裁相似。比较还发现,它与邻近地区的土耳其和库尔德歌诗传统几乎没有任何联系。只有最近的变化表明受到了当代土耳其音乐的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Fann, a Genre of Oral Poetry in Antiochian Arabic: Remarks on Form and Performance Practice
The fann is a genre of oral poetry in the vernacular Arabic of the Alawi community in the Antioch/Hatay province of Turkey. Until recently, it has hardly been mentioned in academic literature. Poetic form and rhythm structure are largely fixed in this genre and it is almost always performed in a similar way; when it comes to the quality of the voice, including a more or less clear melodic shape, there is more left up to the performer. During performances, the rhythmical element dominates the essence of melodic aspects. A preliminary comparison with related genres in the region demonstrates that both the form and performance practice of fann resemble genres in neighbouring Arab countries. Comparison also finds that there is hardly any connection with any Turkish and Kurdish singer-poem tradition as practised in nearby regions. Only recent changes indicate influences from contemporary Turkish music.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.60
自引率
0.00%
发文量
25
期刊介绍: The Journal of Semitic Studies was established in 1955 and since then has built up a reputation as one of the leading international academic journals in its field. Semitic Studies has always been understood by the editors to include the modern as well as the ancient Near (Middle) East, with special emphasis on research into the languages and literatures of the area. The editors continue to maintain the policy of ensuring that each volume contains items of interest to Orientalists and Biblical Scholars. Extensive reviews of selected books, as well as general review notices, remain a feature of the Journal.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信