{"title":"玛特卡舞蹈:将女神的舞姿概念化","authors":"Ana Laura Funes Maderey","doi":"10.1007/s11841-023-00988-7","DOIUrl":null,"url":null,"abstract":"<p>Conceptualizing the image of a dancing Supreme Goddess in the Hindu tradition presents a philosophical challenge because it demands a coherent rational reconciliation between her nature as continuously changing into multiple forms and the realm of pure, absolute, never-changing, formless being. Different strategies have been proposed in the history of philosophy in India. This paper analyzes the image of the dancing Goddess as it appears in the <i>Devī Māhātmya</i> and in the Tantric iconography of the Goddess Kālī. An argument is developed to show that Śākta philosophy resolves this tension through a radical non-dualist understanding of the role that a mental image (<i>vikalpa</i>) plays in accessing supreme reality.</p>","PeriodicalId":44736,"journal":{"name":"Sophia","volume":"23 1","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2024-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Mātṛkā Dance: Conceptualizing the Dancing Body of the Goddess\",\"authors\":\"Ana Laura Funes Maderey\",\"doi\":\"10.1007/s11841-023-00988-7\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>Conceptualizing the image of a dancing Supreme Goddess in the Hindu tradition presents a philosophical challenge because it demands a coherent rational reconciliation between her nature as continuously changing into multiple forms and the realm of pure, absolute, never-changing, formless being. Different strategies have been proposed in the history of philosophy in India. This paper analyzes the image of the dancing Goddess as it appears in the <i>Devī Māhātmya</i> and in the Tantric iconography of the Goddess Kālī. An argument is developed to show that Śākta philosophy resolves this tension through a radical non-dualist understanding of the role that a mental image (<i>vikalpa</i>) plays in accessing supreme reality.</p>\",\"PeriodicalId\":44736,\"journal\":{\"name\":\"Sophia\",\"volume\":\"23 1\",\"pages\":\"\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2024-01-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Sophia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1007/s11841-023-00988-7\",\"RegionNum\":3,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"PHILOSOPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sophia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1007/s11841-023-00988-7","RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
The Mātṛkā Dance: Conceptualizing the Dancing Body of the Goddess
Conceptualizing the image of a dancing Supreme Goddess in the Hindu tradition presents a philosophical challenge because it demands a coherent rational reconciliation between her nature as continuously changing into multiple forms and the realm of pure, absolute, never-changing, formless being. Different strategies have been proposed in the history of philosophy in India. This paper analyzes the image of the dancing Goddess as it appears in the Devī Māhātmya and in the Tantric iconography of the Goddess Kālī. An argument is developed to show that Śākta philosophy resolves this tension through a radical non-dualist understanding of the role that a mental image (vikalpa) plays in accessing supreme reality.
期刊介绍:
Sophia is now published by Springer. The back files, all the way to Volume 1:1, are available via SpringerLink! Covers both analytic and continental philosophy of religionConsiders both western and non-western perspectives, including Asian and indigenousIncludes specialist contributions, e.g. on feminist and postcolonial philosophy of religionSince its inception in 1962, Sophia has been devoted to providing a forum for discussions in philosophy and religion, focusing on the interstices between metaphysics and theological thinking. The discussions take cognizance of the wider ambience of the sciences (''natural'' philosophy and human/social sciences), ethical and moral concerns in the public sphere, critical feminist theology and cross-cultural perspectives. Sophia''s cross-cultural and cross-frontier approach is reflected not only in the international composition of its editorial board, but also in its consideration of analytic, continental, Asian and indigenous responses to issues and developments in the field of philosophy of religion.