{"title":"\"有些事情没有改变\":第一女子侦探事务所》系列中的后殖民主义性别忖量","authors":"Laura Major","doi":"10.1353/lit.2024.a917865","DOIUrl":null,"url":null,"abstract":"<p><p>Abstract:</p><p>Though seemingly romanticized, Alexander McCall Smith’s popular <i>No. 1 Ladies’ Detective Agency</i> series reckons with the gendered realities of postcolonial Botswana by creating a paradox that resists a simple reading of gender and feminism in the locale it inhabits. The series’ heroine, though traditional, defies gender roles, practicing a situated and culturally specific version of women’s empowerment. Indeed, when discussing gender in postcolonial Africa, we should not apply Western notions of feminism. Homi Bhabha’s notion of hybridity, which recognizes locality, fluidity, and mutual influence in the construction of postcolonial identity, is a useful lens through which to understand the series’ paradoxes.</p></p>","PeriodicalId":44728,"journal":{"name":"COLLEGE LITERATURE","volume":"6 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2024-01-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"\\\"There Were Some Things That Did Not Change\\\": Postcolonial Reckonings with Gender in The No. 1 Ladies' Detective Agency Series\",\"authors\":\"Laura Major\",\"doi\":\"10.1353/lit.2024.a917865\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p>Abstract:</p><p>Though seemingly romanticized, Alexander McCall Smith’s popular <i>No. 1 Ladies’ Detective Agency</i> series reckons with the gendered realities of postcolonial Botswana by creating a paradox that resists a simple reading of gender and feminism in the locale it inhabits. The series’ heroine, though traditional, defies gender roles, practicing a situated and culturally specific version of women’s empowerment. Indeed, when discussing gender in postcolonial Africa, we should not apply Western notions of feminism. Homi Bhabha’s notion of hybridity, which recognizes locality, fluidity, and mutual influence in the construction of postcolonial identity, is a useful lens through which to understand the series’ paradoxes.</p></p>\",\"PeriodicalId\":44728,\"journal\":{\"name\":\"COLLEGE LITERATURE\",\"volume\":\"6 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2024-01-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"COLLEGE LITERATURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/lit.2024.a917865\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"COLLEGE LITERATURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/lit.2024.a917865","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
"There Were Some Things That Did Not Change": Postcolonial Reckonings with Gender in The No. 1 Ladies' Detective Agency Series
Abstract:
Though seemingly romanticized, Alexander McCall Smith’s popular No. 1 Ladies’ Detective Agency series reckons with the gendered realities of postcolonial Botswana by creating a paradox that resists a simple reading of gender and feminism in the locale it inhabits. The series’ heroine, though traditional, defies gender roles, practicing a situated and culturally specific version of women’s empowerment. Indeed, when discussing gender in postcolonial Africa, we should not apply Western notions of feminism. Homi Bhabha’s notion of hybridity, which recognizes locality, fluidity, and mutual influence in the construction of postcolonial identity, is a useful lens through which to understand the series’ paradoxes.