Diversity of sound production and hearing in fishes: Exploring the riddles of communication and sensory biology

My research in fish bioacoustics started in the mid-1980s and comprised the diversity in sound-generating mechanisms and sound production in various contexts such as dyadic contests. I worked on European freshwater and marine fish, but mainly on tropical fish from Southeast Asia (gouramis) and the Amazonian River system (pimelodid, doradid catfishes, piranhas). The diversity of sonic organs raised the question if general patterns of innervation of sonic muscles in vocal fishes exist. Different vocal (sonic) motor nuclei were identified in the brainstem and rostral spinal cord for pectoral and swim bladder vibration mechanisms. In addition, I wanted to find out if vocal fish differ from nonvocal species in hearing abilities. Measurements applying the auditory evoked potential technique revealed a large diversity of auditory sensitivities depending on the presence or lack of accessory hearing structures independently of sound production. Furthermore, I investigated the anatomy, ultrastructure of inner ears, and hearing enhancement by auxiliary hearing structures. Recently, we studied sound-induced motion of swim bladders, auditory ossicles, and otoliths using x-ray phase contrast imaging. A large part of my studies was carried out in cooperation with laboratories in the USA, Germany, Italy, Portugal, and Brasilia which made my research interesting.