北宋十一头观音绘画与雕塑的比较

Ye Zhang
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引用次数: 0

摘要

调查的主题是北宋的十一头观音。提供并分析了艺术细节。还对其绘画和雕像进行了比较。研究通过观察和比较,找出它们的不同之处并分析细节,从而通过异同发现特征和与众不同之处。研究的目的是找出哪种表现方法能提供更清晰的解释。挂轴和雕塑各有千秋。它们表明,无论哪种艺术表现形式,观音都是慈悲和怜悯的代表。虽然表现形式不同,但传递的思想是一致的。此外,研究还发现,观音的性别是基于其化身,即慈悲和善良。因此,从宋代开始,观音菩萨就被设计得更像一位女性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Comparison Between Painting and Sculpture of Eleven-headed Guanyin in the Northern Song Dynasty
The topic investigated is the eleven-headed Guanyin in the Northern Song Dynasty. Details of the arts are provided and analyzed. A comparison between its painting and statue is also made. The research is made to figure out their difference and analyze the details by observation and comparison, which is used to discover characteristics and distinctive features through the findings of differences and similarities. It aimed to find out which of the expression methods can deliver a clearer interpretation. Both the hanging scroll and the sculpture have their own upsides and downsides. They showed that no matter what the art expression is, Guanyin is a representation of compassion and mercy. Although expression forms are different, the same idea can be delivered. Also, it is found that the gender of Guanyin is based on its personification, which is compassion and kindness. So, this bodhisattva has been designed to be more like a woman since the Song Dynasty.
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