{"title":"早期波斯绘画中的禅--1314-1315 年 Jāmiʿ al-Tavārīkh 插图研究","authors":"Fei Jia","doi":"10.3390/rel15010075","DOIUrl":null,"url":null,"abstract":"Since the establishment of the Ilkhanid Dynasty, Chinese painting has exerted a profound influence on various facets of Persian painting. This influence facilitated the divergence of Persian painting from Arab painting, fostering the gradual formation of an independent style. To explore whether Zen painting, which has been highly influential in contemporary China, also played a role in shaping Persian painting, this article first discusses the possibility that Zen books and Zen paintings were introduced to the Ilkhanid Dynasty. Subsequently, it delves into the illustrations of the Jāmiʿ al-Tavārīkh dating back to 1314–1315, analyzing Zen elements through three lenses: theme, brushwork, and compositional elements. Through this analysis, the article aims to provide insights into the impact of Chinese Zen art on Persian painting, offering a fresh perspective for scrutinizing the broader Chinese influence on Persian art.","PeriodicalId":38169,"journal":{"name":"Religions","volume":"28 4","pages":""},"PeriodicalIF":0.7000,"publicationDate":"2024-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Zen in Early Persian Painting—A Study of the 1314–1315 Jāmiʿ al-Tavārīkh Illustrations\",\"authors\":\"Fei Jia\",\"doi\":\"10.3390/rel15010075\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Since the establishment of the Ilkhanid Dynasty, Chinese painting has exerted a profound influence on various facets of Persian painting. This influence facilitated the divergence of Persian painting from Arab painting, fostering the gradual formation of an independent style. To explore whether Zen painting, which has been highly influential in contemporary China, also played a role in shaping Persian painting, this article first discusses the possibility that Zen books and Zen paintings were introduced to the Ilkhanid Dynasty. Subsequently, it delves into the illustrations of the Jāmiʿ al-Tavārīkh dating back to 1314–1315, analyzing Zen elements through three lenses: theme, brushwork, and compositional elements. Through this analysis, the article aims to provide insights into the impact of Chinese Zen art on Persian painting, offering a fresh perspective for scrutinizing the broader Chinese influence on Persian art.\",\"PeriodicalId\":38169,\"journal\":{\"name\":\"Religions\",\"volume\":\"28 4\",\"pages\":\"\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2024-01-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Religions\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3390/rel15010075\",\"RegionNum\":3,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"RELIGION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Religions","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3390/rel15010075","RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
Zen in Early Persian Painting—A Study of the 1314–1315 Jāmiʿ al-Tavārīkh Illustrations
Since the establishment of the Ilkhanid Dynasty, Chinese painting has exerted a profound influence on various facets of Persian painting. This influence facilitated the divergence of Persian painting from Arab painting, fostering the gradual formation of an independent style. To explore whether Zen painting, which has been highly influential in contemporary China, also played a role in shaping Persian painting, this article first discusses the possibility that Zen books and Zen paintings were introduced to the Ilkhanid Dynasty. Subsequently, it delves into the illustrations of the Jāmiʿ al-Tavārīkh dating back to 1314–1315, analyzing Zen elements through three lenses: theme, brushwork, and compositional elements. Through this analysis, the article aims to provide insights into the impact of Chinese Zen art on Persian painting, offering a fresh perspective for scrutinizing the broader Chinese influence on Persian art.
期刊介绍:
Religions (ISSN 2077-1444) is an international, open access scholarly journal, publishing peer reviewed studies of religious thought and practice. It is available online to promote critical, hermeneutical, historical, and constructive conversations. Religions publishes regular research papers, reviews, communications and reports on research projects. In addition, the journal accepts comprehensive book reviews by distinguished authors and discussions of important venues for the publication of scholarly work in the study of religion. Religions aims to serve the interests of a wide range of thoughtful readers and academic scholars of religion, as well as theologians, philosophers, social scientists, anthropologists, psychologists, neuroscientists and others interested in the multidisciplinary study of religions