宝莱坞电影与精神疾病:兼顾娱乐性与精确性的方法

Jyotsana Sinha, Gopal Singh
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引用次数: 0

摘要

电影是社会的反映。观众在电影的帮助下观看和学习了很多东西,并做出了很多假设。在本研究中,研究人员对三部宝莱坞电影《Taare Zameen Par》、《我的名字叫可汗》和《Barfi》进行了概念内容分析。所有这些影片都描写了精神疾病,属于同一类型。本研究的重点是找出宝莱坞电影中对精神疾病症状的描述与《精神障碍诊断与统计手册-第五版》(通常称为 DSM-5)诊断标准之间的相似之处。美国精神病学协会的《精神障碍诊断与统计手册》(DSM)用于了解不同精神障碍的诊断标准。研究人员分析了所选影片的主题、家庭和社会行为以及精神病患者的诊断和治疗。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
BOLLYWOOD CINEMA AND MENTAL ILLNESS: AN APPROACH TO BALANCE ENTERTAINMENT AND EXACTNESS
Cinema is a reflection of society. Viewers watch and learn so many things and make assumptions with the help of cinema. In this research, the researcher has done conceptual content analyses of three Bollywood films Taare Zameen Par, My Name is Khan and Barfi. All these films portray mental illness and fall under the same genre. The focus of the study is to find out the similarities between the portrayal of the symptoms of mental illness in Bollywood films and the diagnostic criteria of ‘Diagnostic and Statistical Manual of Mental Disorder- 5th edition’, often known as DSM-5. The American Psychiatric Association’s Diagnostic and Statistical Manual of Mental Disorders (DSM) is used to know the diagnostic criteria for different mental disorders. The researcher has analysed the themes, behaviour of the family and society and diagnosis and treatment of the person with mental illness in the selected films.
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